sat 29/03/2025

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world

Read more...

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem

Read more...

Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

Read more...

Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on

Read more...

Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic

Read more...

Twelfth Night, Regent's Park Open Air Theatre review - burlesque overwhelms the darker notes in this mixed revival

Read more...

Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry

Read more...

Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer

Read more...

The Enfield Haunting, Ambassadors Theatre review - muddled revisiting of famous paranormal events

Read more...

The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival

Read more...

She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updated

Read more...

Private Lives, Ambassador's Theatre review - classy revival lacking physical excess

Read more...

The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived

Read more...

As You Like It, @sohoplace review - music-filled, warm-hearted celebration

Read more...

Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache

Read more...

The Father and the Assassin, National Theatre review - Gandhi's killer puts his case in a bold, whirlwind production

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Biss, National Symphony Orchestra, Kuokman, NCH Dublin revie...

On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages...

Alfred Hitchcock Presents: The Musical, Theatre Royal Bath r...

In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...

Album: Will Smith - Based on a True Story

Will Smith’s new album, Based on a True Story, is a prime example of why some comebacks should remain hypothetical. After two decades...

Verdi Requiem, Philharmonia, Muti, RFH review - new sparks f...

Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...

Wilko: Love and Death and Rock'n'Roll, Southwark P...

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...

The End review - surreality in the salt mine

The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...

Playhouse Creatures, Orange Tree Theatre review - jokes, shi...

Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...

Album: Perfume Genius - Glory

I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s ...

La finta giardiniera, The Mozartists, Cadogan Hall review -...

Just now, the notion of a long-term project that concludes in 2041 sounds like an optimistic bet on the far future worthy of some 18th-century...