Theatre Reviews
White Guy on the Bus, Finborough Theatre review - a moral tale of Pennsylvania's divisionsSaturday, 31 March 2018
Ros and Ray are old hippies made good. She’s a hard-bitten, hard-working teacher in an inner-city Pennsylvania school where her pupils rob 7-Elevens on Fridays and the staff have a betting pool on how many times she gets called "white bitch". Read more... |
The Inheritance, Young Vic review - a long day’s journey into lightThursday, 29 March 2018
About a decade ago, theatre-makers started routinely describing themselves as being in the business of storytelling. Read more... |
Black Men Walking, Royal Court review - inspiring and exhilaratingFriday, 23 March 2018
In the same week that saw the arrival of Arinzé Kene’s Misty, a play that passionately questions the clichés of plays about black Britons (you know, gun crime, knife crime and domestic abuse), Black Men Walking opens at the Royal Court. Read more... |
Misty, Bush Theatre review - powerful meditation on how we tell storiesFriday, 23 March 2018
Arinzé Kene is having a bit of a moment. He won an Evening Standard Film Award for The Pass opposite Russell Tovey in 2016, is about to appear in a BBC drama with Paddy Considine, and has just finished lending his lovely tenor to Conor McPherson’s Girl from the North Country in the West End. Read more... |
The Plough and the Stars, Lyric Hammersmith review - trenchant reimagining of Irish classicThursday, 22 March 2018
Sean Holmes is artistic director of the Lyric Theatre, Hammersmith, yet his revival of this seminal Irish play has taken two years to come home to him. The production was commissioned by the Abbey Theatre, Dublin, to mark the centenary of the Easter Rising, the miserably bloody six-day revolt that gave birth to the Republic of Ireland. It has since been seen by more than 50,000 people. Read more... |
Kiss of the Spider Woman, Menier Chocolate Factory review - brilliantly performed and imaginatively stagedWednesday, 21 March 2018
No, this isn't the large-scale Kander and Ebb musical, which opened in 1992 in London before transferring for a sizeable run on Broadway. Read more... |
Caroline, or Change, Hampstead Theatre review - Sharon D Clarke conquersWednesday, 21 March 2018
It's long been a theatrical given, especially in musicals, that characters need to be seen to change: a climactic duo in the eternally crowd-pulling Wicked makes that abundantly clear. Read more... |
The Great Wave, National Theatre review - moving epic of global lossTuesday, 20 March 2018
You could call it an absence of yellow. Until very recently British theatre has been pretty poor at representing the stories of Chinese and East Asian people, and even of British East Asians. In 2016, Andrew Lloyd Webber called British theatre “hideously white” and, despite the sterling work of groups such as Yellow Earth theatre company, there have been several casting controversies where white actors have played Chinese and East Asian characters. Read more... |
Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning DaneMonday, 19 March 2018
Shakespeare's death-laden play is alive and well and breathing with renewed force in Hackney, the last British stop for an RSC touring Hamlet that moves on from London to the Kennedy Centre in Washington DC in May. Read more... |
Vivaldi's The Four Seasons: A Reimagining, Sam Wanamaker Playhouse review - a gentle exploration of life, love and deathMonday, 19 March 2018
Vivaldi’s The Four Seasons: A Reimagining – it’s not a title that trips off the tongue. Nor one, frankly, that inspires much excitement, with its clunky functionality and on-trend buzzword. But set that aside and buy a ticket immediately, because Gyre & Gimble have made magic with their latest show. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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