Katherine Waters

Articles By Katherine Waters

Visual Arts Lockdown Special 4: half-way houses Wednesday, 01 July 2020 Read more...	Tahar Ben Jelloun: The Punishment review - triumph over torture Sunday, 28 June 2020 Read more...
Visual Arts Lockdown Special 2: read, search, listen, create Tuesday, 05 May 2020 Read more...	Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perception Tuesday, 03 March 2020 Read more...
Dora Maar, Tate Modern review - how women disappear Wednesday, 27 November 2019 Read more...	Measure for Measure, RSC, Barbican review - behind the times Tuesday, 19 November 2019 Read more...
Craig David, BBC Radio 2 review - what's your flava? Saturday, 16 November 2019 Read more...	Charlotte Salomon: Life? or Theatre?, Jewish Museum London review - rallying against death Friday, 15 November 2019 Read more...
Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight? Saturday, 09 November 2019 Read more...	Little Simz, EartH review - bossing it Wednesday, 30 October 2019 Read more...
George Stubbs: 'all done from Nature', MK Gallery review - a glorious menagerie Tuesday, 29 October 2019 Read more...	Hogarth: Place and Progress, Sir John Soane’s Museum review - state of the nation Thursday, 24 October 2019 Read more...
Shuck 'n' Jive, Soho Theatre review - a mixed bag, lots of promise Tuesday, 08 October 2019 Read more...	William Blake, Tate Britain - sympathy for the rebel Sunday, 29 September 2019 Read more...
Van Gogh’s Inner Circle, Noordbrabants Museum review - the man behind the art Thursday, 26 September 2019 Read more...	Peter Doig, Michael Werner review - ambiguous and excellent Wednesday, 25 September 2019 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...