Katherine Waters

Articles By Katherine Waters

Visual Arts Lockdown Special 4: half-way houses Wednesday, 01 July 2020 Read more...	Tahar Ben Jelloun: The Punishment review - triumph over torture Sunday, 28 June 2020 Read more...
Visual Arts Lockdown Special 2: read, search, listen, create Tuesday, 05 May 2020 Read more...	Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perception Tuesday, 03 March 2020 Read more...
Dora Maar, Tate Modern review - how women disappear Wednesday, 27 November 2019 Read more...	Measure for Measure, RSC, Barbican review - behind the times Tuesday, 19 November 2019 Read more...
Craig David, BBC Radio 2 review - what's your flava? Saturday, 16 November 2019 Read more...	Charlotte Salomon: Life? or Theatre?, Jewish Museum London review - rallying against death Friday, 15 November 2019 Read more...
Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight? Saturday, 09 November 2019 Read more...	Little Simz, EartH review - bossing it Wednesday, 30 October 2019 Read more...
George Stubbs: 'all done from Nature', MK Gallery review - a glorious menagerie Tuesday, 29 October 2019 Read more...	Hogarth: Place and Progress, Sir John Soane’s Museum review - state of the nation Thursday, 24 October 2019 Read more...
Shuck 'n' Jive, Soho Theatre review - a mixed bag, lots of promise Tuesday, 08 October 2019 Read more...	William Blake, Tate Britain - sympathy for the rebel Sunday, 29 September 2019 Read more...
Van Gogh’s Inner Circle, Noordbrabants Museum review - the man behind the art Thursday, 26 September 2019 Read more...	Peter Doig, Michael Werner review - ambiguous and excellent Wednesday, 25 September 2019 Read more...

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Album: Spafford Campbell - Tomorrow Held

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The Estate, National Theatre review - hugely entertaining, b...

The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to...

Music Reissues Weekly: Mike Taylor - Pendulum, Trio

Wheels of Fire was Cream’s third album. Issued in the US in June 1968 and in the UK two months later, it was a double LP. One record was...

The Ballad of Suzanne Césaire review - a mysterious silence

A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in...

Youssou N'Dour and Super Étoile de Dakar, Roundhouse re...

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile...

BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - g...

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First...

Album: Bonnie Dobson & The Hanging Stars - Dreams

What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a...

Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...