Katherine Waters

Articles By Katherine Waters

Bruno Maçães: The Dawn of Eurasia review - middle of nowhere Sunday, 21 January 2018 Read more...	Lumiere London review - London in a different light Saturday, 20 January 2018 Read more...
Art UK, Art of the Nation review - public art in a private space Wednesday, 17 January 2018 Read more...	The Nutcracker, English National Ballet review - a thoroughly enchanting performance Thursday, 14 December 2017 Read more...
Blue Planet II, BBC One review - just how fragile? Monday, 11 December 2017 Read more...	Rachel Hewitt: A Revolution of Feeling review - from passions to emotions Sunday, 10 December 2017 Read more...
The Melting Pot, Finborough Theatre review - entertaining morals Thursday, 07 December 2017 Read more...	Modigliani, Tate Modern review - the pitfalls of excess Friday, 24 November 2017 Read more...
The Best of AA Gill review - posthumous words collected Sunday, 12 November 2017 Read more...	Mother Courage, Southwark Playhouse review - this production is not one for our times Thursday, 09 November 2017 Read more...
Han Kang: The White Book review - between what is, what was, what might have been Sunday, 05 November 2017 Read more...	Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherent Wednesday, 01 November 2017 Read more...
Philip Pullman: La Belle Sauvage review - not quite equal Sunday, 22 October 2017 Read more...	David Bomberg, Pallant House Gallery, Chichester review - a reputation restored Saturday, 21 October 2017 Read more...
The End of Hope, Soho Theatre review - initially bold but not quite enough Thursday, 19 October 2017 Read more...	Young Reviewer of the Year Award Winner: Katherine Waters on Marc Quinn Wednesday, 04 October 2017 Read more...

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theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ★★...

The Naked Gun review - farce, slapstick and crass stupidity
The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me
The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...

The Narrow Road to the Deep North, BBC One review - love, de...
Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and...

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating L...
According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve...