Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk Saturday, 14 September 2019 Read more...	Anahera, Finborough Theatre review - blistering family drama from New Zealand Saturday, 07 September 2019 Read more...
Peaches, Royal Festival Hall review - blissful anarchy Thursday, 29 August 2019 Read more...	Barber Shop Chronicles, Roundhouse review - riotous theatre at its best Thursday, 25 July 2019 Read more...
Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people Monday, 22 July 2019 Read more...	Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish Sunday, 30 June 2019 Read more...
Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above Wednesday, 19 June 2019 Read more...	Napoli, Brooklyn, Park Theatre review - lacking substance Tuesday, 18 June 2019 Read more...
Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music Thursday, 06 June 2019 Read more...	Frank Bowling, Tate Britain review - a marvel Wednesday, 05 June 2019 Read more...
Manga, British Museum review - stories for outsiders Thursday, 23 May 2019 Read more...	Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx Tuesday, 21 May 2019 Read more...
58th Venice Biennale review - confrontational, controversial, principled Tuesday, 14 May 2019 Read more...	Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal Tuesday, 14 May 2019 Read more...
Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives Sunday, 12 May 2019 Read more...	Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding Thursday, 25 April 2019 Read more...

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Album: Alice Cooper – The Revenge of Alice Cooper

Great (and not so great) bands reforming, either in the studio or in the live arena, is something of a trend at the moment. However, who would...

Burlesque, Savoy Theatre review - exhaustingly vapid

"It all starts with a snap," or so we're told early in the decidedly un-snappy Burlesque, which spends three hours borrowing shamelessly...

Tosca, Clonter Opera review - beauty and integrity in miniat...

At first sight, it seemed that Clonter Opera’s decision to tackle Tosca this year might be a leap too far. Its once-a-year complete...

Album: Paul Weller - Find El Dorado

Paul Weller occupies a strange place in the cultural sphere. Especially since he was adopted as an elder statesman of Britpop in the mid 1990s, he...

BBC Proms: McCarthy, Bournemouth SO, Wigglesworth review - s...

It started like Sunday afternoon band concert on a seaside promenade, a massive ensemble playing it light. But while there were several too many...

theartsdesk Q&A: writer and actor Mark Gatiss on 'B...

Having played Sherlock Holmes’s politically involved older brother Mycroft in the BBC’s hit crime series Sherlock...

Ballard, Prime Video review - there's something rotten...
Following the success of its screen version of Michael Connelly’s veteran detective Harry Bosch, starring Titus Welliver,...

Don't Rock the Boat, The Mill at Sonning review - all a...
Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema....

Blu-ray: The Rebel / The Punch and Judy Man
Comedian Tony Hancock’s vertiginous rise and fall is neatly traced in the two films he completed in the early 1960s. The warning signs were...