Katherine Waters

Articles By Katherine Waters

Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives Sunday, 23 September 2018 Read more...	I object, British Museum review - censorship, accidental? Saturday, 22 September 2018 Read more...
The Human Voice, Gate Theatre review - unrelenting and sad Wednesday, 19 September 2018 Read more...	Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature Sunday, 09 September 2018 Read more...
Annie Ernaux: The Years, review - time’s flow Sunday, 05 August 2018 Read more...	Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-Aven Wednesday, 01 August 2018 Read more...
Rachel Heng: Suicide Club review - skin-deep dystopia Sunday, 29 July 2018 Read more...	The Jungle, Playhouse Theatre review - new territory Saturday, 07 July 2018 Read more...
Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everything Tuesday, 03 July 2018 Read more...	Sarah Langford: In Your Defence review - messy lives Sunday, 24 June 2018 Read more...
Finishing the Picture, Finborough Theatre review - projections in a realm of mirrors Friday, 22 June 2018 Read more...	The London Mastaba, Serpentine Galleries review - good news for ducks? Thursday, 21 June 2018 Read more...
Natural World: The Super Squirrels, BBC Two review - silliness and facts Wednesday, 20 June 2018 Read more...	Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment Friday, 08 June 2018 Read more...
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind Tuesday, 05 June 2018 Read more...	Break of Noon, Finborough Theatre review - irredeemable? Tuesday, 29 May 2018 Read more...

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Get Down Tonight, Charing Cross Theatre review - glitz and h...

In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of...

Nick Helm, Touring review - brash comic shows his vulnerable...

Comedy is strange old thing; it’s supposed to be funny ha-ha, but the laughs can often come from a dark place, as evidenced by Nick...

Slovenian avant-folk outfit Širom’s 'In the Wind of Nig...

The 16-minute album opener “Between the Fingers the Drops of Tomorrow's Dawn” coalesces at the 12-minute point, when clattering percussion meshes...

One Battle After Another review - Paul Thomas Anderson satir...

Paul Thomas Anderson’s frantic One Battle After Another is a storm warning for a fascist America and both a lament and a rallying call...

Black Rabbit, Netflix review - grime and punishment in New Y...

They say no good deed goes unpunished, so when New York restaurateur Jake...

Kerry James Marshall: The Histories, Royal Academy review -...

This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the...

First Person: Manchester Camerata's Head of Artistic Pl...

Over the past decade, Manchester Camerata has gained a reputation for continually innovating and redefining what an orchestra can do. But what...

The Hack, ITV review - plodding anatomy of twin UK scandals

The latest instalment of the ITV drama department’s attempts at trial by television is another anatomy of a scandal, but with little of...

Punch, Apollo Theatre review - powerful play about the stren...

For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the...