fri 18/07/2025

Theatre Reviews

Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertaining

Marianka Swain

The resplendent partnership of Alan Menken and Howard Ashman – which produced Disney hits Aladdin, Beauty and the Beast and The Little Mermaid – first took root with this 1982 Off-Broadway musical, based on a low-budget Sixties film, about a man seeking love and fortune via a bloodthirsty plant.

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Aristocrats, Donmar Warehouse review - fresh but uneven

aleks Sierz

Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel's best work, but you can see why it might apply to Aristocrats, his 1979 play which premiered at the Abbey Theatre in Dublin before becoming a contemporary classic. You can count off the elements that remind you of the Russia master: decaying estates, feckless toffs, wistful longings and missed opportunities.

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Homos, or Everyone in America, Finborough Theatre review - a complex pattern of glee and profundity

Tom Birchenough

I’m still not entirely sure what the full associations of the title of New York playwright Jordan Seavey’s new play – its second element, at least: the first speaks for itself – may be, but with writing this accomplished any such uncertainties fall away.

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Edinburgh Festival 2018 reviews: Underground Railroad Game / On the Exhale

David Kettle

 

Underground Railroad Game ★★★★ 

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Edinburgh Festival 2018 reviews: Coriolanus Vanishes / Check Up: Our NHS at 70 / A Sockful of Custard

David Kettle

 

Coriolanus Vanishes ★★★★ 

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Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age

aleks Sierz

The Dark Web has an intriguing sound about it. Like something out of JRR Tolkein or JK Rowling, it suggests a netherland peopled by strange creatures, and maybe even dangerous monsters. As indeed it is.

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£¥€$ (LIES), Almeida Theatre review - financial frolics at the gaming table

Matt Wolf

Theatre critics tend not to experience an 140 percent increase in their financial assets within 21 minutes. So on that remarkable front alone, the London premiere of the Belgian £¥€$ (LIES) is giddily immersive fun, at least up until such time as the Ontroerend Goed production shifts gears and sends the financial world, and our momentary prosperity, crashing down.

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Edinburgh Festival 2018 reviews: Ulster American / Cold Blood

David Kettle

Ulster American ★★★★ 

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The Importance of Being Earnest, Vaudeville Theatre review - Sophie Thompson triumphantly tackles the handbag challenge

Heather Neill

Any actor playing Lady Bracknell must dread the moment when she (or, indeed, he) has to deliver that unforgettable line about a significant piece of hand luggage. Since Edith Evans's wavering, vibrato, multi-syllable version of "a handbag?", audiences have waited to see how it will be dealt with this time.

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Othello, Shakespeare's Globe review - André Holland shines, Mark Rylance pursues laughs

Laura De Lisle

Claire van Kampen has a history of providing roles for her husband, Mark Rylance. He starred in her critically acclaimed Farinelli and the King three years ago, and now she directs him as Iago in the Globe's production of Othello, with Moonlight actor André Holland as the eponymous general.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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