Theatre Reviews
Imperium, Gielgud Theatre review - eventful, very eventful, Roman epicThursday, 05 July 2018
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with cuts, the big new thing was “event theatre”, huge shows that amazed audiences because of their epic qualities and marathon slog. A good example is David Edgar’s The Life and Adventures of Nicholas Nickleby, an eight-and-a-half hour adaptation of the Dickens novel. Read more... |
The King and I, London Palladium review - classic musical reborn with modern sensibilitiesWednesday, 04 July 2018
Shall we dodge? (One, two, three) No, the brilliance of Bartlett Sher’s Tony-winning Lincoln Center revival – first on Broadway in 2015, now gracing the West End, with its original leads – is that it faces the problematic elements of Rodgers and Hammerstein’s 1951 musical head on. Read more... |
As You Like It, Shakespeare in the Squares review - an exuberant celebration of the Summer of LoveWednesday, 04 July 2018
Gender-bending, confused identities, and hedonistic anarchy go together as naturally in summer Shakespeare as strawberries and cucumbers in Pimms, and in Tatty Hennessy’s exuberant alfresco version of As You Like It, touring to squares across the capital, the mix proves an appropriately heady combination. Read more... |
The Winter's Tale, Shakespeare's Globe review - a chilly tale for a time of austerityTuesday, 03 July 2018
“A sad tale’s best for winter,” Leontes’ young son Mamillius tells us. By that logic the current summer heatwave should be bringing us a Winter’s Tale overflowing with joy – the songs of Bohemia drowning out the shouted accusations and desperate howls of Sicilia. But that’s not what director Blanche McIntyre has in mind. Read more... |
A Midsummer Night's Dream, Wilton's Music Hall review - a stereotype-smashing evening of pagan delightsFriday, 29 June 2018
The Faction’s A Midsummer Night’s Dream is a production in which women are more likely to kick ass than sleep with one – a muscular, mischievous take on the Bard’s most light-hearted play about forbidden love. Read more... |
Genesis Inc, Hampstead Theatre review - Harry Enfield in ungodly messFriday, 29 June 2018
We are now pretty familiar with the idea that human reproduction (making babies) has been turned into big business, and there have already been several good recent plays about desperate couples and surrogacy – Vivienne Franzmann’s Bodies and Satinder Chohan’s Made in India – so is there any more to be said about giving nature a helping hand? Read more... |
Fun Home, Young Vic review - a simply sublime musical memoirThursday, 28 June 2018
It seems only too fitting that David Lan’s luminous reign at the Young Vic should draw to a close with this bold, creatively thrilling international import. Read more... |
One for Sorrow, Royal Court review - imploding family dramaThursday, 28 June 2018
It’s the stuff of nightmares. There’s a massive explosion, the sound of smashing glass, falling debris and police sirens. Gunshots. Panic in the streets. It could be the November 2015 Paris terror attacks, in which the Bataclan venue was the scene of a massacre, except this time it’s happening in London. Yes, the stuff of nightmares. Read more... |
The Town Hall Affair, The Wooster Group, Barbican review - electric anarchyFriday, 22 June 2018
Iconoclasm, orgasms, and rampant rhetoric are all on irrepressible display in The Wooster Group’s recreation of the 1971 Manhattan debate that pitted Norman Mailer against some of the leading feminists of the day. Read more... |
Finishing the Picture, Finborough Theatre review - projections in a realm of mirrorsFriday, 22 June 2018
In the early 20th century, Soviet filmmaker Lev Kuleshov spliced together images of people looking at things with a bowl of soup, a woman on a divan and an open casket. Each object represented a different emotional state – hunger, desire and grief – but each subject “looking” at the object was the exact same image, repeated. The cast-down eyes implied to be considering nourishment were the exact same eyes that appeared to stare in utter loss at death. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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