tue 01/10/2024

New Music Reviews

Kathryn Williams, Sydenham St Bartholemew's Church

joe Muggs

Kathryn Williams has a lot to live up to. The last time I saw the Liverpudlian singer-songwriter play live was a completely unamplified gig in the Tricycle Theatre some nine years ago, and its intimacy and intensity remain seared in my memory as one of the most powerful performances I've ever experienced.

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The KVB, Ramsgate Music Hall

Barney Harsent

Without wishing to repeat myself, small venues almost always work best. The intimacy they offer heightens emotion and increases impact while breaking down the barrier between artist and audience. There's a mathematical consideration, too – fewer people means fewer antisocial arseholes no matter which way you divide it. And so I find myself back in East Kent’s best venue, among some of Ramsgate's most upstanding, to see the swirling, melodic storm of Berlin/London duo The KVB.

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Basia Bulat, Hoxton Square Bar & Kitchen

Kieron Tyler

The cape is not an everyday item of clothing. Worn by magicians, it brings an air of the extraordinary. It billows in the path of superheroes. The cloak of invisibility confirms the cape’s singularity. Basia Bulat was first seen in a sparkly gold cape on the sleeve of her recent Good Advice album and last night it was integral to the renewed vigour of her music and stage persona.

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Eliane Elias, Ronnie Scott's

peter Quinn

Masterly improvising, outstanding compositions, a complete understanding between the musicians. On every count this was an exceptional set, as emotionally engaging as it was lovingly delivered.

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theartsdesk in Estonia: Tallinn Music Week 2016

Kieron Tyler

“If we want to keep this free and democratic Europe of ours free and democratic, we must enlist ourselves, our skills and our commitment to liberty and justice. The problems we face are too great to simply say let the politicians do it.

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Reissue CDs Weekly: Hauschka

Kieron Tyler

Turn the clock back to early 2007. It’s not so long ago, but at this point Nils Frahm had issued just one album, Ólafur Arnalds was about to release his first, Jóhann Jóhannsson was one year into what would be two-album relationship with 4AD, and Max Richter had made two albums for 130701, the British offshoot of FatCat Records. Christian Wallumrød was performing solo, but still recording collaboratively.

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CD: Rodion – Generator

Barney Harsent

Before the resurgence in vinyl, and the resultant pursuit of audiophile perfection on pointlessly expensive sound systems, was the musician’s fetish for vintage equipment and analogue synths. Live, this makes sense: sounds go direct into the audience's ear, air its only conduit.

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Exhibitionism, Saatchi Gallery

Tim Cumming

The Stones may have got the free festival thing right at last, returning triumphant from playing to around a million Cubans in Havana on Good Friday, and the world generally marvels more and mocks less the longevity of the band and the age of its original inhabitants. With a fresh batch of sold-out tours and new music apparently in the can, it would be churlish to deny them the self-pleasuring they reward themselves by mounting Exhibitionism at the Saatchi Gallery.

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Gregory Porter, Royal Albert Hall

Matthew Wright

Gregory Porter’s singing pedigree is impeccable. With a performing history in the American Church of God in Christ, where his mother was a minister, honed by several years before his breakthrough living in hipster-jazz heaven Brooklyn, and performing Off-Broadway, he’s in many ways the ultimate heritage act.

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Reissue CDs Weekly: Fela Ransome-Kuti and His Koola Lobitos

Kieron Tyler

Is greatness there from day one, does it evolve or suddenly strike? Do artists – in any discipline – develop in steps or arrive fully-formed? How does the quotidian become exceptional? With the new triple-CD set Highlife-Jazz and Afro-Soul (1963-1969), the man who would be dubbed the Black President has what amounts to 39 musical baby pictures made easily available for the first time.

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