New Music Reviews
Ana Moura, BarbicanWednesday, 28 September 2016
“If someone asked me what fado is,” says Ana Moura, in her introduction to “Lilac Wine”, “I would tell them that it means something like this song.” And with its notes of sadness, yearning and loss – fado means destiny or fate – this classic number is a beautiful way for her to connect a London audience with the melancholy Portuguese genre. Read more... |
Tubular Brass play Tubular Bells, Howard Assembly Room, LeedsMonday, 26 September 2016
Sandy Smith’s brass band transcription of Tubular Bells is an improbable triumph. He draws heavily on composer David Bedford’s 1970s orchestral arrangement, along with Mike Oldfield’s two recorded versions. Musically the work holds up very well. But the original 1973 LP sounds distinctly murky in places: this was a live performance in which every strand was audible. Read more... |
Reissue CDs Weekly: John FoxxSunday, 25 September 2016
In 1985, John Foxx released In Mysterious Ways: his fourth solo album since leaving Ultravox in 1979. In 1980, he had charted with “Underpass”, his first solo single. Subsequently, he charted a path where frosty, anomie-filled electropop gave way to the warmth of “Europe After the Rain” and the Beatles-inspired psychedelia of “Endlessly”. The 1983 album The Golden Section was his most straightforwardly poppy to date. Read more... |
David Gilmour, Royal Albert HallSaturday, 24 September 2016
A single guitar note rang out over smouldering synth-chords. It was bent up a tone and then wavered in the air before gracefully falling. And so began the final residency of the Rattle That Lock tour. No hype. No support act. Just David Gilmour and his all-star band looking back on his long and prestigious career. At least that's how the programme described it. Read more... |
Reissue CDs Weekly: Chess Records Soul, Little RichardSunday, 18 September 2016
Chicago’s Chess Records first made waves in the Fifties with a raft of records which included future classics integral to defining the urban slant on blues music. Early in the decade, the label issued singles by John Lee Hooker, Memphis Slim, Muddy Waters and Howlin' Wolf. They also issued Jackie Brenston’s “Rocket 88”, one of the building blocks of rock ‘n’ roll and brought Bo Diddley to a wide audience. Read more... |
Sinne Eeg / Cathrine Legardh, Pizza Express Jazz ClubSunday, 18 September 2016
It’s fair to say that vocal jazz ranks modestly in British awareness of Danish culture, certainly below the instrumental music and the phenomenon of the moment, the cable-knit-sporting detective Sarah Lund. Which is a shame, because this second event in Pizza Express’ week-long festival illustrated the variety and strength of that country’s scene very effectively. Read more... |
Modulus Quartet, Brunel Museum, RotherhitheSaturday, 17 September 2016
"Total immersion", the term used for the BBC Symphony's one-composer days, takes on a whole new meaning in the Thames Tunnel Shaft now transformed – but fortunately not subject to makeover – under the mantle of Rotherhithe's Brunel Museum. Read more... |
Reissue CDs Weekly: Tamam ShudSunday, 11 September 2016
In 1969, the Australian band Tamam Shud improvised as a film was projected onto the wall of a recording studio. The results were heard on the Evolution album. Playing original music live to accompany a film screening isn’t commonplace these days but eyebrows are no longer raised when it happens. Pere Ubu have played along with Carnival of Souls and It Came From Outer Space. Mogwai have done the same for the documentary Atomic. Read more... |
Barenaked Ladies, RoundhouseSaturday, 10 September 2016
Lead singer and frontman Ed Robertson launches into a BNL-in-London rap, extolling the Roundhouse, “where they used to turn trains”, as well as the glories of Camden Market’s liquid-nitrogen ice-cream bar. Read more... |
The Beatles: Eight Days a Week - The Touring YearsTuesday, 06 September 2016
It could be a book, film, TV or radio piece, essay or exhibition. If it’s about or based on The Beatles, the question is always the same: how on earth can anything new be said? In the case of Ron Howard’s Eight Days a Week: The Touring Years, surprisingly quite a lot, is the answer. Read more... |
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