tue 01/10/2024

New Music Reviews

Malcolm Middleton, The Lexington

Thomas H Green

The Scottish singer-songwriter Malcolm Middleton has always had a restless creativity, right back to his days in the Bukowskian indie duo Arab Strap. He announced a few years ago that he was sick of playing solo gigs, expected to strum an acoustic guitar and delve into his mordant back catalogue.

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Reissue CDs Weekly: Adam and the Ants

Kieron Tyler

Adam Ant was one of the few who saw Sex Pistols’ first live show. On 6 November 1975, his band Bazooka Joe was playing Charing Cross Road’s St Martin’s School of Art. They found an uninvited support band had gatecrashed the evening. The impact of the interlopers on the then Stuart Goddard wasn’t instant, but he would go on to form The B-Sides and, then, Adam and the Ants, whose manager became Jordan, who worked at Malcolm McLaren’s King’s Road shop SEX.

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John Cale, Festival of Voice, Cardiff

Dylan Moore

“Are you enjoying Wales, John?” shouts a fan, eventually. Our returning hero has remained taciturn and all but static at his keyboard throughout an epic show that spans one of popular music’s most interesting and influential careers. Cale affects to have misheard. “Am I rejoining Wales?” he ponders. “I certainly hope so. I feel like I’m rejoining every time I’m here.”

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Common People Festival 2016, Southampton

Thomas H Green

Rob da Bank’s Faustian pact with the weather gods continues apace with the second year of Common People, which takes place simultaneously in Southampton and Oxford. The forecast for days beforehand had predicted a cold front bearing relentless drizzle but, in the event, wellies were left packed away as the elements chose instead to offer blazing summer sunshine for the 30,000 revellers who attended the festival's second day at Southampton.

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Brighton Festival: Beth Orton, Attenborough Centre for Creative Arts

Matthew Wright

Beth Orton’s sparsely ethereal new collection Kidsticks has been well received for marking an interesting change of direction. Last night’s Brighton Festival gig gave audiences the best of both, beginning with most of the new songs, then climaxing with some old favourites that evoked her rockier past.

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Reissue CDs Weekly: Death and Vanilla

Kieron Tyler

Last May, Malmö trio Death and Vanilla issued the To Where the Wild Things are album and it seemed they had arrived as a fully formed post-Broadcast proposition, harmoniously fusing vintage influences like the BBC Radiophonic Workshop, Italian giallo soundtracks and The United States of America.

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theartsdesk on Vinyl: Volume 17 - Paul McCartney, Moby, Grace Jones and more

Thomas H Green

News just in that the vinyl soundtrack to Star Wars: The Force Awakens will feature holograms that can seen as the record is played, if a light is shone upon it. It seems that every month there’s a similarly bizarre development in the many ways that vinyl is returning to the public eye. It’s now commonplace for Graham Norton to introduce the musical guests on his TV show by waving about a vinyl copy of their new album, something unthinkable even a year ago.

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The Burning Hell, Oslo

Kieron Tyler

“We’ve been visiting libraries on this tour and it’s a lot of fun learning people still read.” The words of The Burning Hell’s main man Mathias Kom before launching into “Give Up” stress he and his band are not typical rock‘n’rollers. “Give Up” itself is the rollicking song-story of a call-centre worker who goes to a library, finds inspiration in Herman Melville and then meets a mysterious woman who rings in. She gives him a poster of a kitten captioned “Never Give Up”.

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Brighton Festival: Haçienda Classical, The Dome

Thomas H Green

Of all the nostalgia-fests, of all the retro events, those that involve rave culture have the wildest sense of glee. The atmosphere in the Dome tonight, before a note has even been played – just as when The Prodigy hit this city last year – dials the anticipation levels up to delirious.

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Reissue CDs Weekly: Manic Street Preachers

Kieron Tyler

“Over the horizon they come; the anniversaries; joyous, arduous, remorseless.” The opening words of Stuart Maconie’s fine, nuanced essay in the book accompanying this 20th-anniversary reissue of Manic Street Preachers’ fourth album acknowledge the inescapable fact that today’s heritage rock industry is indeed largely about anniversaries and their close cousin the reunion. Bands tour to air one of their past albums in track-by-track order.

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