mon 13/10/2025
Home > users

james woodall

james.woodall's picture
Bio
James wrote (1999-2010) for the Financial Times, The Economist and Dance Europe, mainly from Berlin. His books include a biography of Jorge Luis Borges, a study of Rio's music through the life and work of Chico Buarque, and an account of the marriage of John Lennon and Yoko Ono. He's now a writer back in England.

Articles By James Woodall

Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

Saturday, 13 April 2019 Read more...

The Beatles: Made on Merseyside, BBC Four review - when the Fab Four were five

Saturday, 30 March 2019 Read more...

theartsdesk Q&A: Theatre Producer Elyse Dodgson

Friday, 26 October 2018 Read more...

Titus Andronicus, RSC, Barbican review - blood will out

Wednesday, 20 December 2017 Read more...

Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun

Monday, 13 November 2017 Read more...

The Tempest, Barbican Theatre review - sound and fury at the expense of sense

Friday, 07 July 2017 Read more...

It Was Fifty Years Ago Today! review - without a little help from their friends

Tuesday, 23 May 2017 Read more...

Shakespeare Trilogy, Donmar at King's Cross

Thursday, 24 November 2016 Read more...

10 Questions for Director Lucy Bailey

Wednesday, 26 October 2016 Read more...

The Beatles: Eight Days a Week - The Touring Years

Tuesday, 06 September 2016 Read more...

The Girl from Ipanema: Brazil, Bossa Nova and the Beach, BBC Four

Tuesday, 02 August 2016 Read more...

theartsdesk at the Holland Festival

Sunday, 19 June 2016 Read more...

George Martin (1926-2016), record producer and 'fifth Beatle'

Wednesday, 09 March 2016 Read more...

Rio+Film, Barbican

Monday, 28 September 2015 Read more...

Hot August Night: The Beatles at Shea Stadium

Saturday, 15 August 2015 Read more...

The Story of The Beatles' Last Song

Thursday, 01 January 2015 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Solomon, OAE, Butt, QEH review - daft Biblical whitewashing...

Forty years ago, the Orchestra of the Age of Enlightenment was born, and I heard Handel’s Solomon in concert for the first time. Charles...

The Woman in Cabin 10 review - Scandi noir meets Agatha Chri...

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek...

Soulwax’s 'All Systems Are Lying' lays down some t...

It’s seven years since the Belgian brothers Dewaele unleashed their fine, largely instrumental and foot-stomping Essential album on the...

Two-Piano Gala, Kings Place review - shining constellations

Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works,...

Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...