tue 11/02/2025

james woodall

james.woodall's picture
Bio
James wrote (1999-2010) for the Financial Times, The Economist and Dance Europe, mainly from Berlin. His books include a biography of Jorge Luis Borges, a study of Rio's music through the life and work of Chico Buarque, and an account of the marriage of John Lennon and Yoko Ono. He's now a writer back in England.

Articles By James Woodall

Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

Read more...

The Beatles: Made on Merseyside, BBC Four review - when the Fab Four were five

Read more...

theartsdesk Q&A: Theatre Producer Elyse Dodgson

Read more...

Titus Andronicus, RSC, Barbican review - blood will out

Read more...

Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun

Read more...

The Tempest, Barbican Theatre review - sound and fury at the expense of sense

Read more...

It Was Fifty Years Ago Today! review - without a little help from their friends

Read more...

Shakespeare Trilogy, Donmar at King's Cross

Read more...

10 Questions for Director Lucy Bailey

Read more...

The Beatles: Eight Days a Week - The Touring Years

Read more...

The Girl from Ipanema: Brazil, Bossa Nova and the Beach, BBC Four

Read more...

theartsdesk at the Holland Festival

Read more...

George Martin (1926-2016), record producer and 'fifth Beatle'

Read more...

Rio+Film, Barbican

Read more...

Hot August Night: The Beatles at Shea Stadium

Read more...

The Story of The Beatles' Last Song

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...

For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...

Bowling For Soup, Civic Hall, Wolverhampton review - nostalg...

Bowling For Soup are celebrating their iconic album, A Hangover You Don’t Deserve, on a fun-filled, energetic tour for its 20th...

Philip Marsden: Under a Metal Sky review - rock and awe

Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides....

Blu-ray: High and Low

Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various...

The Years, Harold Pinter Theatre review - a bravura, joyous...

Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...

Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...

“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.

The brilliance of...

Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...

It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...

Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre...

Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...