New Music Reviews
Reissue CDs Weekly: The Long RydersSunday, 07 February 2016
For its 6 April 1985 issue, the NME chose The Long Ryders as its cover stars. The colour picture of the band was emblazoned “A Shotgun Wedding of Country and Punk.” The Los Angeles outfit attracted attention as part of a wave of California bands overtly drawing from the past. Local peers included The Bangles, The Dream Syndicate and The Three O’Clock. Read more... |
Reissue CDs Weekly: African Head ChargeSunday, 31 January 2016
Of all the idiosyncratic artists coming through the door opened by punk, Adrian Sherwood remains one of the most singular. Reggae had been given a new platform and Sherwood, though he has never done anything remotely musically akin to punk rock, comfortably found a place alongside boundary-crossing post-punk individualists like The Pop Group and Public Image Ltd. The former’s Mark Stewart and the latter’s Jah Wobble went on to record with Sherwood’s On-U Sound label. Read more... |
Reissue CDs Weekly: Harpers BizarreSunday, 24 January 2016
While Harpers Bizarre’s US Top 20 version of Simon & Garfunkel’s “The 59th Street Bridge Song (Feelin' Groovy)” will always be their single turned to by American oldies radio, its follow-up “Come to the Sunshine” defines their sound and musical attitude. Written and previously recorded by Van Dyke Parks, it captures an irresistibly effervescent Californian harmony pop which painted a sonic picture of the West Coast in 1967 as balmy, beautiful and seductive. Read more... |
theartsdesk on Vinyl: Volume 13 - Kurt Cobain, Wolfgang Flür and moreSaturday, 23 January 2016
Welcome to the first theartsdesk on Vinyl of 2016. Last year saw vinyl go from a surprisingly successful retro underdog format to a profitable investment for major labels, notably Universal. This resulted in much grouching about bottlenecks of new indie material that couldn’t get onto vinyl because of pressing plants being hogged by endless cheapo repackages of old Queen albums and the like. 2016, however, should see the manufacturing end leap forward to meet the demand. Read more... |
Tony Allen and Jimi Tenor, Café OTOSaturday, 23 January 2016
Questions of what is authentic and what is retro get more complicated the more the information economy matures. Music from decades past that only tens or hundreds of people heard at the time it was made becomes readily available, gets sampled by new musicians, and passes into the current vernacular. Modern musicians play archaic styles day in day out until it becomes so worn into their musculature that it reflects their natural way of being. Read more... |
Ian Shaw, Pizza Express Jazz ClubFriday, 22 January 2016
Many jazz singers are known for an instantly recognisable tone. Billie Holiday or Louis Armstrong are known the moment they open their mouth, for a particular quality of delivery. Jazz singer and comedian Ian Shaw, who launched his 14th album at Pizza Express Jazz Club last night, works differently. His best performances are about the blend of comedian’s timing and musician’s tone, and once he’d warmed up last night, there were tears and giggles aplenty. Read more... |
Reissue CDs Weekly: Still in a Dream - A Story of ShoegazeSunday, 17 January 2016
Head straight for Disc 2, Track 4. A drum thumps while spring-loaded guitar feedback pulses. Suddenly, a wall of cascading guitar hurtles forth like an electric hare pursued by greyhounds. A distorted, amelodic guitar solo contrasts with the sweet melody carried by a female vocal. The energy level is extraordinary. The whole has a lightness of touch. Then, abruptly, it stops. Read more... |
Corb Lund, Bleach, BrightonFriday, 15 January 2016
It seems incongruous that this fine country-rockin’ band should come all the way from Canada to play a half-empty room above a pub on a chilly, January midweek night on the British south coast. That they do so with such gusto and aplomb is hugely impressive. By the end, they’ve filled the place with a whooping hoedown and made it feel like a honkytonk bar somewhere off a lost highway in a mythic America, yet with the wry, modern, liberal-minded twist of Corb Lund’s lyrics. Read more... |
Reissue CDs Weekly: The Wilde FlowersSunday, 10 January 2016
Though Soft Machine were the first band to suggest Canterbury could be musically noteworthy, the appearance of Caravan’s debut album in late 1968, Kevin Ayers' post-Soft Machine solo outing two years later, and the subsequent arrivals of Gong, Matching Mole, Hatfield & the North and the solo Robert Wyatt confirmed the city had a fertile scene. It was a fluid environment where musicians from one band played with others. Read more... |
Reissue CDs Weekly: Jon Savage's 1966Sunday, 03 January 2016
January 1966 is a half a century back but some of the music released 50 years ago this month remains fresh, vital and timeless. With its biting invective and energy, Bob Dylan’s “Can You Please Crawl out of Your Window” will never lose its visceral edge. Dusty Springfield’s joyful, kinetic “Little by Little” is eternally alive. Author Jon Savage goes further and pinpoints the whole of 1966 as “the year that shaped the rest of the century”. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
The Penguin, Sky Atlantic review - power, corruption, lies a...
Is there no limit to the number of times the comic book heroes and villains from Marvel and DC can be recycled? HBO’s The Penguin (...
The Cabinet Minister, Menier Chocolate Factory review - spar...
The stock of the late 19th century playwright...
Il trittico, Welsh National Opera, review - welcome back (bu...
This revival of Puccini’s Trittico a mere three and a half months after it was first shown on the Millennium Centre stage seems to bear...
Album: The Smile - Cutouts
The Smile’s second album Wall of Eyes, released in January, is a thrillingly discomfiting album by Radiohead alumni Thom Yorke and Jonny...
A Face in the Crowd, Young Vic review - lame rehash of a 195...
It’s hard to work out why Kwame-Kwei Armah chose to end his tenure at the...
Elisabeth Leonskaja, Wigmore Hall review - a universe of so...
Wonders never ceased in Elisabeth Leonskaja’s return to the Wigmore Hall. Not only did she play Schubert’s last three sonatas with all repeats and...
Megalopolis review - magic from cinema's dawn
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis...
The Snowmaiden, English Touring Opera review - a rich harves...
Just as the first autumn chills began to grip, English Touring Opera rolled into Hackney Empire with a reminder that the sun – “god of love and...
Andsnes, London Philharmonic Choir and Orchestra, Gardner, R...
If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary year...
Music Reissues Weekly: Why Don’t You Smile Now - Lou Reed at...
The Velvet Underground first played before an audience on 11 December 1965. A year earlier, their two founder members Lou Reed and John Cale were...