New Music Reviews
Olly Murs, 02Saturday, 01 April 2017
Olly Murs seems to have monopolised the market on teenage girls and their middle-aged mums - the ultimate X-Factor audience that's followed his journey from the show eight years ago. Read more... |
theartsdesk on Vinyl 26: George Harrison, Vitalic, Scott Bradlee and moreFriday, 31 March 2017
Record shops are now doing good business in the UK. Just five years ago, who’d have thought that could happen? So does the current fetishisation of vinyl mark a growing desire to be back to physical formats, rather than disembodied technologies? Read more... |
Car Seat Headrest, Electric BallroomMonday, 27 March 2017
Seattle-based rockers Car Seat Headrest finally burst their cult bubble with their 13th album, last year’s Teens of Denial, which found veteran songwriter Will Toledo combining Nineties indie, post-punk nihilism and ... Read more... |
Reissue CDs Weekly: WigwamSunday, 26 March 2017
Over 1972 to 1975, Finland staged a small-scale invasion of Britain. A friendly one, it was confined to music. First, the progressive rock band Tasavallan Presidentti came to London in May 1972 and played Ronnie Scott’s. The Sunday Times’ Derek Jewell said they were “frighteningly accomplished” and that readers should “watch them soar”. Read more... |
Craig David, Brighton CentreFriday, 24 March 2017
Craig David’s two-hour show, in two parts, receives an ecstatic response in Brighton. The audience, dominated by women in their twenties, is loudly vocal in their appreciation, apparently knowing every word to every song on his six albums. It feels as if you might jump from the balcony, where I’m seated, and surf across the shimmying capacity crowd, buoyed up solely by the rising waves of love for this man. Read more... |
Reissue CDs Weekly: Chuck BerrySunday, 19 March 2017
When a skiffle group called The Quarry Men played live in 1959, their repertoire included covers of Chuck Berry’s “Johnny B. Goode” and “Sweet Little Sixteen”. The folk-based skiffle was becoming rock. In 1960, when the same band became The Beatles, they added Berry’s “Carol” and “Little Queenie” to their set. Read more... |
theartsdesk in Bergen: Questions upon questions at Borealis FestivalTuesday, 14 March 2017
There comes a point in any experimental music festival when you have to accept the silliness and go with it. And at Borealis, that point comes very early. Read more... |
Lula Pena, Café OtoMonday, 13 March 2017
Lula Pena is a Portuguese singer who takes fado (or "phado" as she calls it) into new directions and musical horizons. She is one of the most intense performers you are likely to hear and, with only three albums in the last 20 years, keeps a lowish profile. She inspires fierce cult-like loyalty among fans, and had sold out the adventurous Café Oto, located in hipster central, Dalston. Read more... |
Reissue CDs Weekly: Kitchens of DistinctionSunday, 12 March 2017
Albums are not meant to be heard this way. Collecting a band's output in one package inevitably obscures that what’s being heard might have been recorded and released over years. The listening time may be five or six hours, but eighteen months could have separated albums when they were originally released. Messing with time messes with reality. Read more... |
Reissue CDs Weekly: BuzzcocksSunday, 05 March 2017
By the time Buzzcocks recorded the 12 tracks heard on Time’s Up, they had played with Sex Pistols twice. They had also shared bills with The Clash, The Damned, Eater, Slaughter & The Dogs, Stinky Toys and The Vibrators. Read more... |
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