tue 25/02/2025

New Music Reviews

theartsdesk on Vinyl: Volume 17 - Paul McCartney, Moby, Grace Jones and more

Thomas H Green

News just in that the vinyl soundtrack to Star Wars: The Force Awakens will feature holograms that can seen as the record is played, if a light is shone upon it. It seems that every month there’s a similarly bizarre development in the many ways that vinyl is returning to the public eye. It’s now commonplace for Graham Norton to introduce the musical guests on his TV show by waving about a vinyl copy of their new album, something unthinkable even a year ago.

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The Burning Hell, Oslo

Kieron Tyler

“We’ve been visiting libraries on this tour and it’s a lot of fun learning people still read.” The words of The Burning Hell’s main man Mathias Kom before launching into “Give Up” stress he and his band are not typical rock‘n’rollers. “Give Up” itself is the rollicking song-story of a call-centre worker who goes to a library, finds inspiration in Herman Melville and then meets a mysterious woman who rings in. She gives him a poster of a kitten captioned “Never Give Up”.

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Brighton Festival: Haçienda Classical, The Dome

Thomas H Green

Of all the nostalgia-fests, of all the retro events, those that involve rave culture have the wildest sense of glee. The atmosphere in the Dome tonight, before a note has even been played – just as when The Prodigy hit this city last year – dials the anticipation levels up to delirious.

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Reissue CDs Weekly: Manic Street Preachers

Kieron Tyler

“Over the horizon they come; the anniversaries; joyous, arduous, remorseless.” The opening words of Stuart Maconie’s fine, nuanced essay in the book accompanying this 20th-anniversary reissue of Manic Street Preachers’ fourth album acknowledge the inescapable fact that today’s heritage rock industry is indeed largely about anniversaries and their close cousin the reunion. Bands tour to air one of their past albums in track-by-track order.

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Brighton Festival: Laurie Anderson - Slideshow, Brighton Dome

Nick Hasted

Brighton Festival’s guest director speaks in a sort of rapid-fire drawl, ideal for her debut as a stand-up comic, which she claims was tonight’s Plan A. This half-century veteran of performance art is more slippery than that, proffering a discursive, unreliable, funny and profound master-class in shaggy-dog philosophy, with the festival’s theme of home at its arguable core.

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Brighton Festival: Laurie Anderson – Song Conversation, Brighton Dome

Heidi Goldsmith

The foyer of Brighton Dome for Brighton Festival director Laurie Anderson’s Song Conversation would have had a PR executive flummoxed; from punks in their 20s licking the rim of a plastic pint to a hobbling couple clutching programmes. The breadth of audience is surely a testament to Anderson’s unique career of performances combining pop melodies with countercultural performance art.

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Reissue CDs Weekly: Bernard Herrmann

Kieron Tyler

“Ladies and gentlemen, in view of the controversy already aroused the producers of this film wish to re-emphasise what is already stated in the film: that there is no established scientific connection between mongolism and psychotic or criminal behaviour”. With these opening words, Twisted Nerve instantly defined itself as a film out to attract attention. Despite this questionable exploitation aspect, the genuinely unsettling 1968 work is ripe for reassessment.

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Album Special: Radiohead - A Moon Shaped Pool

Caspar Gomez

In the whole of Britain there are only seven music journalists who are officially designated, card-carrying “Non-Fans of Radiohead”. In 2007 three of them were banished by the National Council of Music Writers to a small Crofting community in Caithness where they write occasional apologetic blogs for their anti-Yorke-ist stance. I know one of the other guys. He has a very hard time of it.

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Lush, The Roundhouse

joe Muggs

It's peculiar seeing any band come back together after a serious length of time, but when that band were part of your adolescence the cognitive dissonance is exponentially increased.

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Brighton Festival: Tindersticks, Brighton Dome

bella Todd

Tindersticks certainly know how to instill a mood. Outside the Dome Concert Hall the start of the Brighton Festival is in full swing, with a proliferation of tents, parades and shiny happy tourists drinking in the sun. Inside, Stuart Staples is singing “don’t let me suffer” in a wracked warble to a video of a lone woman floating naked in a distorted swimming pool.

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