sun 25/05/2025

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 36 - legendary producer Joe Boyd discusses his recent book on global music

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Medicine Festival review - sound and music healing in the depths of Berkshire

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Medicine Festival review - the new New Age gathers in leafy Berkshire

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theartsdesk Radio Show 35 - with writer/composer Amit Chaudhuri

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'The music business was created for people like me who are not criminal enough to go to jail, and not mad enough to go to the nuthouse'. Sinéad O'Connor, 1966-2023

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Park Jiha, Stone Nest, K-Music - timeless evocative East-West soundscapes

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theartsdesk Radio Show 34 - with post-punk visionary Lu Edmonds

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Frida Kahlo Through Indian Classical Music, Elgar Room, Royal Albert Hall review - a strangely effective meeting of cultures

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theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

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theartsdesk Radio Show 32: a conversation with Matt Johnson of The The

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theartsdesk Radio Show 31 - special guest: TV soundtrack maestro Dominik Scherrer

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London Bulgarian Choir, Kings Place review - dark Slavic tales in waves of sound

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GogolFest:Dream review - the best music festival of the summer?

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theartsdesk Radio Show 30 - podcast on Malcolm McLaren with Paul Gorman, his biographer

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theartsdesk Radio Show 29 - Morricone, Moroccan psychedelia and Sudanese techno

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Ennio Morricone 1928-2020: A lost afternoon in his apartment in Rome

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Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten...

Faust, Royal Opera review - pure theatre in this solid reviv...

“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...

Mrs. Warren's Profession, Garrick Theatre review - moth...

How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...

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There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre...

Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manche...

Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist...

Album: Morcheeba - Escape the Chaos

Morcheeba reach their 30th anniversary this year. The 1990s...

The Phoenician Scheme review - further adventures in the idi...

It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...

Album: Ammar 808 - Club Tounsi

Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...