fri 19/04/2024

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 26 - with guest from the Amazon, the latest Brazilian star Arthur Nogueira

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theartsdesk Radio Show 25 - with bohemian chanteuse Anne Pigalle

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theartsdesk Radio Show 24 - hot subcontinental sounds with guest Viveick Rajagopalan

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WOMAD, Charlton Park review - a gloriously defiant global music celebration

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10th Odessa International Film Festival review - exquisite gay love stories and visionary new music

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Oumou Sangaré, Earth review - the new Mama Africa takes her crown

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theartsdesk Radio Show 23 - the hottest Brazil sounds for 2019 with guest Tiago Di Mauro

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theartsdesk Radio Show 22 - the autumn's newest global sounds

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'I read French from left to right and Arabic from right to left': remembering Algerian rebel rocker Rachid Taha

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BaianaSystem, Village Underground - the new Brazilian contenders

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WOMAD 2, Charlton Park review - rainbows and rumba

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David Byrne, Eventim Apollo review - twice in a lifetime?

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Ismaili a Go-Go: How the Aga Khan funded a music renaissance

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Africa: A Journey Into Music, BBC Four review - too little, too late?

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theartsdesk in Ramallah - the music biz turns its sights on Palestine

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Tim Maia tribute, The Jazz Café review - the Brazilian wild soul legend revival continues

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London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...