New Music Reviews
Nick Mulvey, De La Warr Pavilion review - a band chasing the ecstaticFriday, 20 October 2017
British singer-songwriter Nick Mulvey’s new album, Wake Up Now, is one of the year’s finest. However, there’s a moment on the single “Myela”, a heartfelt Afro-Latin stomper protesting the plight of refugees, which can grate. The song suddenly stops and female backing singers begin... Read more... |
Reissue CDs Weekly: The ResidentsSunday, 15 October 2017
80 Aching Orphans ought to be hard work. A four-CD, 80-track, 274-minute overview chronicling 45 years of one of pop’s most wilful bands should be a challenging listen. The Residents have never made records which are straightforward or were meant to be, and have never made records conforming to prevailing trends. Read more... |
The Pretenders, Brighton Dome review - phone-free and feistyFriday, 13 October 2017
Before they even step on stage The Pretenders win me to their side. An announcement prior to their appearance tells the audience, “The Pretenders request you keep your phone in your pocket.” Brilliantly, these aren’t idle words. As the gig progresses security quietly but firmly approach anyone with their phone out and asks them to desist. A few songs into the set, Chrissie Hynde has just begun a stripped-down take on her 1986 hit “Hymn to Her”, accompanied only by Welsh keyboard-player... Read more... |
Nile Rodgers: How to Make It in the Music Business, BBC Four review - good times had by allSunday, 08 October 2017
One New Year’s Eve in the 1970s, hot young session musicians Nile Rodgers and Bernard Edwards were assured by Grace Jones that they could penetrate the inner sanctum of Studio 54 by dropping her name at the door. A doorman thought otherwise and invited them to "fuck off". Read more... |
Reissue CDs Weekly: PP ArnoldSunday, 08 October 2017
Anyone who finds Eric Clapton and The Bee Gees’ Barry Gibb stepping up to offer their services as their producer is obviously special. It’s a view reinforced by knowing Rolling Stones’ manager Andrew Loog Oldham and Small Faces were already their champions. Only one person fits this unique bill. Read more... |
Tunes of the Munster Pipers review - wondrous collection confounds expectationsSaturday, 07 October 2017
With their contrasting yet entirely complementary timbres and their ability to create textural palettes ranging from lonesome single notes to fulsome chords rich with harmonics, the combination of pipes and fiddle is surely one of the most potent in traditional Irish music. That was certainly the case at this... Read more... |
Dua Lipa, Brighton Dome review - tomorrow's star todayFriday, 06 October 2017
High hopes are riding on Dua Lipa. Tonight is the first date of her Self-Titled Tour, but it ends next April. In between, it will travel all over the world, culminating in a series of British stadium dates, the last one at the Alexandra Palace. Such confidence is born of a string of hits across Europe, culminating in this summer’s UK chart-topper, “New Rules”. When she kicks off her show at the Brighton Dome, the near-capacity audience is buzzing, and sing along to one of her bigger... Read more... |
Reissue CDs Weekly: MotörheadSunday, 01 October 2017
Immediately before recording their first album in 1977, Motörhead were on their last legs. They went into the studio after playing what was initially conceived as their farewell show. Appropriately, no one then could have predicted that the band formed by Hawkwind’s former bass player in 1975 would become integral to rock’s rich tapestry. It wasn’t even their first attempt to make an album: one begun in 1975 had been shelved. Read more... |
Sparks, O2 Shepherd’s Bush Empire review - age does not wither themFriday, 29 September 2017
It’s more than 40 years since Sparks appeared on Top of the Pops with “This Town Ain’t Big Enough for Both of Us”, one of a handful of hits from the brothers Mael, Ron and Russell, who grew up in 1950s and ‘60s LA detesting... Read more... |
Norah Jones, Ronnie Scott's review - heartfelt music that transcends blandThursday, 28 September 2017
When we were at peak Norah a decade ago, she looked rather intimidated by the large crowds at venues like the Forum. Having been suddenly catapulted into the limelight she looked nervous, lacked any real stage charisma and her so-so band looked like the kind of musicians you’d find in an average bar in Brooklyn, competent rather than anything remarkable. Read more... |
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