mon 24/02/2025

New Music Reviews

theartsdesk on Vinyl 35: Christmas 2017 Special with Pink Floyd, Mariah Carey, ELO, Madness and more

Thomas H Green

The music business is about to disappear on holiday wholesale and we won’t see hide nor hair of it until mid-January. There’s just time for one last 2017 vinyl celebration. Regular readers should be warned that theartsdesk on Vinyl becomes rather easy-going at this time of year – must be all the Baileys – and prone to making allowances for the odd sliver of cheese and office-party silliness....

Read more...

Reissue CDs Weekly: Pentangle

Kieron Tyler

A nineteen-minute adaptation of “Jack Orion” took up the whole of Side Two of Cruel Sister, Pentangle’s fourth album. It's the highlight of the smart but blandly titled 115-track box set The Albums 1968–1972. Up to this point in 1970, British folk rock had not spawned anything comparable to the epic “Jack Orion”.

Read more...

Robert Plant, Royal Albert Hall review - the voice remains the same

Ralph Moore

“Back in the Sixties, before I was born…” Robert Plant has always been as amusing a raconteur as he is a deft weaver of different musical styles, and last night’s show at the Royal Albert Hall was no exception.

Read more...

theartsdesk on Vinyl 34: Trent Reznor, Shpongle, Roni Size, Willie Nelson and more

Thomas H Green

With December upon us theartsdesk on Vinyl has been kept busy with sacks full of fantastic plastic, so much so that we’re saving the poppier stuff for a pre-Christmas blow-out in a week’s time, so watch out for that.

Read more...

Tom Russell, 100 Club review - tales from a time-honoured troubadour

Liz Thomson

Nothing beats a great singer-songwriter live and unadorned. So it was with Tom Russell at London’s 100 Club on the penultimate night of his UK tour. Accompanied by his faithful friend the brilliant Milanese Max Bernadino on guitar, the man whom Lawrence Ferlinghetti describes as “Johnny Cash, Jim Harrison and Charles Bukowski rolled into one” gave a brilliant performance which was a masterclass in audience engagement.

Read more...

Reissue CDs Weekly: The Rolling Stones

Kieron Tyler

Until now, the easiest non-bootleg way to hear the early Rolling Stones live was via the various home cinema editions of October 1964’s T.A.M.I. show. Otherwise, although they employed backing tracks for broadcast, the American DVDs of their Ed Sullivan Show appearances caught the band in thrilling full flight.

Read more...

Reissue CDs Weekly: The Jam

Kieron Tyler

In 1976, Polydor Records was actively considering signing the Sex Pistols. The label’s Chris Parry checked them out live in Birmingham during August. In September, he had a prime spot behind the mixing desk at the 100 Club’s punk festival from which to consider British punk rock’s figureheads.

Read more...

Jools Holland and José Feliciano, Royal Albert Hall review - giving the audience what they expect

Sebastian Scotney

It really is quite something to be admired, the sheer longevity and staying power of the Jools Holland franchise. The TV show Later...With Jools Holland, with the same core team running it, has just celebrated its 25th anniversary and put its 51st season to bed. That takes us all the way back to October 1992, just after the summer of John Bryan and Antonia de Sancha, of toes and Chelsea strips....

Read more...

Reissue CDs Weekly: Phil Seymour

Kieron Tyler

“Precious to me” is a high-carat gold nugget. A guitar-pop song with cascading, lush Everly Brothers harmonies drawing on The Searchers’ version of “When You Walk in the Room”, its immediate tune instantly lodges itself in the head.

Read more...

Depeche Mode, Manchester Arena review - synth-pop gurus raise the spirits of thousands

Javi Fedrick

For a band as big as Depeche Mode, in a venue as big the 21,000-capacity Manchester Arena, on a tour as big as their current Spirit tour, it almost doesn’t need saying that the pre-gig atmosphere is buzzing.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

A Thousand Blows, Disney+ review - Peaky Blinders comes to R...

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our...

Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manche...

The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand...

The Capulets and the Montagues, English Touring Opera review...

A year ago, after a deeply disappointing Manon Lescaut at Hackney Empire, I wrote here that English Touring Opera had often excelled in...

Bilk, O2 Academy 2, Birmingham review - Essex rock'n...

Sol Abrahams, singer and guitarist for Essex rock’n’rollers Bilk, was suffering from a bit of guitar trouble in Birmingham on Friday evening. By...

Album: Artemis - Arboresque

Spare a thought – please – for Leipzig-born pianist Jutta Hipp (1925-2003). In 1956, she became the very first woman to record albums in her own...

Hinds, St Lukes and the Winged Ox, Glasgow review - Spanish...

Hinds don't believe in God. They declared this as they surveyed the converted church that is St Luke's, and given the past few years you can...

Music Reissues Weekly: Diggin' For Gold Volume 14 - Nor...

In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the...

The Monkey review - a grisly wind-up

Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn...

Richard II, Bridge Theatre review - handsomely mounted, emot...

Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising Jonathan Bailey taking time out from...