New Music Reviews
Reissue CDs Weekly: Hoyt AxtonSunday, 28 May 2017
Hoyt Axton’s songs were heard most widely when recorded by others. Steppenwolf recorded his “The Pusher” in 1967. It featured on their early 1968 debut album but was most pervasive in summer 1969 after it was included on the soundtrack of Easy Rider. Axton himself didn’t release a version until 1971, when “The Pusher” appeared on his Joy to the World album. The title track, another of his best-known compositions, had charted earlier that year for Three Dog Night. Read more... |
Swans, Asylum, BirminghamSaturday, 27 May 2017
There are not many bands who are obtuse enough to begin a gig with a 45 minute unrecorded song, especially when they are preparing to go their separate ways at the end of the tour and have no plans for further recording. Sonic adventurers Swans, however, have no such qualms. After taking to the stage with a minimum of fuss and looking like Sam Peckinpah’s The Wild Bunch gone feral in the backwoods of Twin Peaks, they pick up their instruments and launch into “The Knot”. Read more... |
theartsdesk on Vinyl 28: Manic Street Preachers, Joep Beving, Wreckless Eric, SWANS and moreFriday, 26 May 2017
While the 36 records reviewed below run the gamut of Wreckless Eric to Democratic Republic of the Congo Afro-electronica, this month there’s also a special, one-off section for modern classical. This is due to an ear-pleasing haul of releases reaching theartsdesk on Vinyl lately. Read more... |
London Vocal Project, Jon Hendricks review - towering homage to a Miles Davis classicTuesday, 23 May 2017
Almost 50 years since he started working on it, and following its world premiere in New York in February, it was a huge thrill to hear Jon Hendricks' lyricisation of the classic Miles Davis-Gil Evans album Miles Ahead at Kings Place. Read more... |
It Was Fifty Years Ago Today! review - without a little help from their friendsTuesday, 23 May 2017
This is the most frustrating film. It’s probably no fault of the makers, but it’s rare to have to assess a documentary for what it doesn’t have. Over nearly two hours of celebrating the Sgt. Pepper’s Lonely Hearts Club Band Beatles period – late 1966 to their record label Apple taking off in 1968... Read more... |
Reissue CDs Weekly: Shel TalmySunday, 21 May 2017
As the producer of the early Kinks and Who, Shel Talmy’s status as one of British pop’s most important figures is assured. He is, though, American. Despite being integral to the mid-Sixties boom years when the Limeys took over, he was born in Chicago in 1937. Read more... |
Yasmine Hamdan, Scala review - sultry, epic and doom-ladenFriday, 19 May 2017
Yasmine Hamdan has gone from being an indie star in Beirut a decade ago with her adventurous band Soapkills to being a bona fide solo star with a couple of sophisticated albums behind her, the latest Al Jamilat recently released. Read more... |
Reissue CDs Weekly: The CreationSunday, 14 May 2017
“Electronic music, feedback, imaginative identification with colours and art and unique sounds is our art-from. We feel we are contributing to the new ‘total sound culture.’ This culture will take its place in the world just as the Renaissance and Picasso’s blue period has.” Read more... |
High Focus Records showcase, Brighton Festival review - smart hip hop, dodgy soundSaturday, 13 May 2017
The two main commands coming from the stage at this evening's Brighton Festival event are “Everybody jump, jump” and “Put your hands in the air and go side-to-side”. The crowd are mostly under 30 and emanate dancing energy from the moment the doors open, as DJ Molotov warms up. The set-up is basic, a DJ and some mics, but that’s as it should be for, on one level, this evening takes... Read more... |
Pink Floyd: Their Mortal Remains, V&A review – from innocence to experience and beyondWednesday, 10 May 2017
The title of this exhibition is typical of Pink Floyd’s mordant view of the world, not to mention their sepulchral sense of humour. Read more... |
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