mon 24/02/2025

New Music Reviews

WOMAD 2017, Charlton Park review - multicultural nirvana transcends mud-bath conditions

Tim Cumming

Now in its 35 year, Womad is embedded into British festival culture, flying the flags of a musical multiculturalism that is about breaking down barriers and building new relationships. It’s not something you want to lose.

Read more...

Silver Birch, Garsington Opera review - gritty drama in the Chilterns

Helen Wallace

"Everyone suddenly burst out singing"’ wrote Siegfried Sassoon in his paean to humanity amidst the horror of war, "Everyone Sang". And sing they did, all 180 of them, crammed onto Garsington’s modest stage for its new community opera Silver Birch by Roxanna Panufnik to a libretto by Jessica Duchen. Here were primary school children, teenagers, professional singers, members of a women’s refuge, ex-military personnel, and a waggy-tailed dog.

Read more...

Ladysmith Black Mambazo, Cadogan Hall review - peace, love and harmonies

Liz Thomson

On a dreary evening in what passes for summer, the news unutterably grim, an evening in the company of South Africa’s greatest export can’t help but lift the spirits.

Read more...

Reissue CDs Weekly: Marylebone Beat Girls, Milk of the Tree

Kieron Tyler

Between them, Marylebone Beat Girls and Milk of the Tree cover the years 1964 to 1973. Each collects tracks recorded by female singers: whether credited as solo acts, fronting a band or singer-songwriters performing self-penned material.

Read more...

theartsdesk at Førdefestivalen - fado, tango and desert blues among the Norwegian fjords

Tim Cumming

This year’s Førdefestivalen was gabled by an opening Nordic Sound Folk Orchestra showcase and a spectacular closing gala, live-streamed and broadcast Europe-wide. It featured a dizzyingly eclectic range of world and Nordic folk bands, as well as the speediest stage turn-arounds I’ve ever seen.

Read more...

12 Stone Toddler, Green Door Store, Brighton review – experimentalism can still be pop

Thomas H Green

Ten years ago Brighton band 12 Stone Toddler burst onto the scene with two off-the-wall albums of madly inventive pop-rock. They then vamoosed back out of existence. Now they’re back, preparing a third album for the Freshly Squeezed label, and playing a packed home town gig. The second song they do is a new one, “Piranha”...

Read more...

Reissue CDs Weekly: Ramones

Kieron Tyler

Production gloss and deliberation are not notions immediately springing to mind while pondering the 1976-era Ramones. Even so, this new edition of their second album, the ever-wonderful Leave Home, reveals that careful consideration was given to how they presented themselves on record.

Read more...

Reissue CDs Weekly: Anne Briggs

Kieron Tyler

The Time Has Come was issued in late 1971. Anne Briggs’ second album and her second to reach shops that year, it followed an eponymous set released that April. That was on the folk label Topic and produced by the pivotal A. L. Lloyd, who had been key to propagating Britain’s traditional music since the late 1930s.

Read more...

theartsdesk on Vinyl 30: Moby, The Beach Boys, Napalm Death, John Coltrane and more

Thomas H Green

If there’s a downside to the resurgence of vinyl, it’s that all that’s left in most charity shops these days is James Galway and his cursed flute and Max Bygraves medley albums. Then again, there’s always new stuff coming in so it’s down to everybody to get in there quick, before the local record shops hoover up all the gems. And there it is. Many small towns now have local record shops again. That’s surely something to celebrate.

Read more...

Tom Petty and the Heartbreakers, Hyde Park review - electrifying American classics

Katie Colombus

Tough security checks mean I make it to British Summer Time’s main stage just moments before the opening chords of the early evening set from The Lumineers.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

A Thousand Blows, Disney+ review - Peaky Blinders comes to R...

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our...

Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manche...

The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand...

The Capulets and the Montagues, English Touring Opera review...

A year ago, after a deeply disappointing Manon Lescaut at Hackney Empire, I wrote here that English Touring Opera had often excelled in...

Harry Hill, Wilton's Music Hall review - madcap comic o...

Harry Hill reminds us at one point during his latest touring show that he’s 60, but there’s no let-up in the energy he brings to ...

Bilk, O2 Academy 2, Birmingham review - Essex rock'n...

Sol Abrahams, singer and guitarist for Essex rock’n’rollers Bilk, was suffering from a bit of guitar trouble in Birmingham on Friday evening. By...

Album: Artemis - Arboresque

Spare a thought – please – for Leipzig-born pianist Jutta Hipp (1925-2003). In 1956, she became the very first woman to record albums in her own...

Hinds, St Lukes and the Winged Ox, Glasgow review - Spanish...

Hinds don't believe in God. They declared this as they surveyed the converted church that is St Luke's, and given the past few years you can...

Music Reissues Weekly: Diggin' For Gold Volume 14 - Nor...

In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the...

The Monkey review - a grisly wind-up

Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn...