mon 07/07/2025

New Music Reviews

Peter Perrett, Concorde 2, Brighton review - magnificent songs scorchingly rendered

Thomas H Green

These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll. At the start of his first encore he even plays a new, unreleased song, “War Plan Red”, giving vent to fiery infuriation with global...

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Reissue CDs Weekly: Serge Gainsbourg & Jean-Claude Vannier

Kieron Tyler

In terms of cinema history, 1969’s Les Chemins de Katmandou is a footnote. Directed by André Cayatte, whose most interesting films were 1963’s interrelated marital dramas Jean-Marc ou la Vie Conjugale and Françoise ou la Vie Conjugale, it was a period-sensitive immersion into the world of a group of Nepal-based hippies. Though ostensibly a crime drama, a focus on drugs and free love brought an exploitation allure.

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Queen: Rock the World, BBC Four review - we won't rock you

Jasper Rees

Forty years ago Whispering Bob Harris made a documentary about Queen. He eavesdropped on them as they recorded the album News of the World and then followed them around America on tour.

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CD Special: Bob Dylan's Trouble No More review - he’d never sound better

Tim Cumming

After more than 35 years of subterranean bootleg life, Bob Dylan’s incendiary gospel shows and sessions from 1979 to 1981 are seeing the light of day as volume 13 of the Official Bootleg Series.

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Steely Dan / The Doobie Brothers, Bluesfest 2017 review - brilliant Dan, delicious Doobies

Adam Sweeting

Following the recent death of the band's co-founder Walter Becker, it seemed faintly remarkable that Steely Dan went ahead with this O2 show at all – it was the closing night event of Bluesfest 2017 – but Becker’s absence wasn’t allowed to detract from the sustained brilliance of the performance.

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Reissue CDs Weekly: Paul Major’s Feel the Music

Kieron Tyler

Dave Porter has a question. He wants to know where clouds go. “After they pass by, are they just like people, that go on and then die?” The figurative bit between his teeth, he wonders if small clouds “are lonely, like you and I? Do they just go to rain, or is that a tear from their eye? Sometimes I feel like a small cloud passing by, never knowing where I’m going and never knowing why.”

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Sleaford Mods, Manchester Academy review - laptop punks still have it

Javi Fedrick

Sleaford Mods are not just those two sweary guys with a laptop from Nottingham. Their unique mix of acerbic, politically conscious lyrics and lo-fi earworm loops have rightfully earned them a growing and devoted following across the country. Indeed, the audience at Manchester Academy is packed with moody 20-somethings and middle-aged punks. Rather than appearing intimidating, however, the atmosphere is full...

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Peggy Seeger: First Time Ever - A Memoir, review - a remarkable life

Liz Thomson

Seeger. A name to strike sparks with almost anyone, whether or not they have an interest in folk music, a catch-all term about which Peggy Seeger and her creative and life partner Ewan MacColl (they didn’t actually marry until a decade before his death) had strong feelings.

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Reissue CDs Weekly: Emerson, Lake & Palmer

Kieron Tyler

Committed fans of Emerson, Lake & Palmer are spoiled for choice when they need to feed their passion for prog rock’s most eminent trio. Decent shape original pressings of their albums can be picked up for under £10.

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Priests/Downtown Boys, Deaf Institute, Manchester review - lively political punk-fest

Javi Fedrick

Both Rhode Island’s Downtown Boys, and Washington D.C.’s Priests sit at the centre of today’s feminist punk scene. As stated in a recent Downtown Boys press release, they oppose “the prison-industrial complex, racism, queerphobia, capitalism, fascism, boredom, and all things people use to try to close our minds, eyes and...

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