thu 15/05/2025

New Music Reviews

Silver Birch, Garsington Opera review - gritty drama in the Chilterns

Helen Wallace

"Everyone suddenly burst out singing"’ wrote Siegfried Sassoon in his paean to humanity amidst the horror of war, "Everyone Sang". And sing they did, all 180 of them, crammed onto Garsington’s modest stage for its new community opera Silver Birch by Roxanna Panufnik to a libretto by Jessica Duchen. Here were primary school children, teenagers, professional singers, members of a women’s refuge, ex-military personnel, and a waggy-tailed dog.

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Ladysmith Black Mambazo, Cadogan Hall review - peace, love and harmonies

Liz Thomson

On a dreary evening in what passes for summer, the news unutterably grim, an evening in the company of South Africa’s greatest export can’t help but lift the spirits.

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Reissue CDs Weekly: Marylebone Beat Girls, Milk of the Tree

Kieron Tyler

Between them, Marylebone Beat Girls and Milk of the Tree cover the years 1964 to 1973. Each collects tracks recorded by female singers: whether credited as solo acts, fronting a band or singer-songwriters performing self-penned material.

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theartsdesk at Førdefestivalen - fado, tango and desert blues among the Norwegian fjords

Tim Cumming

This year’s Førdefestivalen was gabled by an opening Nordic Sound Folk Orchestra showcase and a spectacular closing gala, live-streamed and broadcast Europe-wide. It featured a dizzyingly eclectic range of world and Nordic folk bands, as well as the speediest stage turn-arounds I’ve ever seen.

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12 Stone Toddler, Green Door Store, Brighton review – experimentalism can still be pop

Thomas H Green

Ten years ago Brighton band 12 Stone Toddler burst onto the scene with two off-the-wall albums of madly inventive pop-rock. They then vamoosed back out of existence. Now they’re back, preparing a third album for the Freshly Squeezed label, and playing a packed home town gig. The second song they do is a new one, “Piranha”...

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Reissue CDs Weekly: Ramones

Kieron Tyler

Production gloss and deliberation are not notions immediately springing to mind while pondering the 1976-era Ramones. Even so, this new edition of their second album, the ever-wonderful Leave Home, reveals that careful consideration was given to how they presented themselves on record.

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Reissue CDs Weekly: Anne Briggs

Kieron Tyler

The Time Has Come was issued in late 1971. Anne Briggs’ second album and her second to reach shops that year, it followed an eponymous set released that April. That was on the folk label Topic and produced by the pivotal A. L. Lloyd, who had been key to propagating Britain’s traditional music since the late 1930s.

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theartsdesk on Vinyl 30: Moby, The Beach Boys, Napalm Death, John Coltrane and more

Thomas H Green

If there’s a downside to the resurgence of vinyl, it’s that all that’s left in most charity shops these days is James Galway and his cursed flute and Max Bygraves medley albums. Then again, there’s always new stuff coming in so it’s down to everybody to get in there quick, before the local record shops hoover up all the gems. And there it is. Many small towns now have local record shops again. That’s surely something to celebrate.

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Tom Petty and the Heartbreakers, Hyde Park review - electrifying American classics

Katie Colombus

Tough security checks mean I make it to British Summer Time’s main stage just moments before the opening chords of the early evening set from The Lumineers.

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Reissue CDs Weekly: Silhouettes & Statues - A Gothic Revolution

Kieron Tyler

In February 1983, New Musical Express ran a cover feature categorising what it termed “positive punk”. Bands co-opted into this ostensibly new trend were Blood & Roses, Brigandage, Danse Society, Rubella Ballet, Sex Gang Children, Southern Death Cult, The Specimen, UK Decay and The Virgin Prunes.

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