New Music Reviews
Ryuichi Sakamoto, Cadogan HallTuesday, 01 December 2009
Little, it seems, falls beyond the musical compass of Ryuichi Sakamoto. After cutting his teeth with synthpop pioneers Yellow Magic Orchestra, Sakamoto branched out like a one-man synthesis of Messrs Byrne, Bowie and Eno, investigating world and renaissance music, chamber pieces, orchestral works and movie soundtracks. Read more... |
Lily Allen, 02 Academy BrixtonFriday, 27 November 2009
It’s girls’ night out. Walk in, the waves of scent and hairspray go right up your nose. And now here’s Lily, sloping on with a half-blonde half-black hairdo like a cross between Nancy Sinatra, an Afghan hound and a very pretty Jimmy Savile. As she crosses the Vegas-style stage, there’s even a touch of Wendy Richard about the high-pitched squeak and bum-wiggling dance. She’s wearing a tiny black sequined number and suggestive seams, and after a lame "Hello London! Read more... |
Malcolm Middleton, Hanbury Club, BrightonThursday, 26 November 2009
"Welcome to the second night of my depressing acoustic tour," said Malcolm Middleton by way of introducing his set. The statement plays on his well-established reputation for miserabilism. Later on he asked the audience, "Enjoying yourselves?" to which a smattering of "yeahs" could be heard. "Then I'm not doing my job properly," deadpanned Middleton. Read more... |
Lisa Hannigan, RFHMonday, 23 November 2009
Charm. Lisa Hannigan has it in bucketfuls. An unusual charm, like her unique take on her self-styled “plink plonk rock”. Something homely, warm and very unshowbiz. Whereas her American counterparts might lose themselves in fad diets and obscure activism, Hannigan knits and writes blogs on her favourite recipes. She shouldn’t be a pop star at all. One might be tempted to describe her as being “girl next door”, except nobody really lives next door to anyone this cute and talented. Read more... |
Trouble Tune: Bass Clef, Geiom, London Improvisers OrchestraMonday, 23 November 2009
There are occasional days when the Royal Festival Hall really feels like the people's palace it was always meant to be – and yesterday, with its free concert of live improvisation mixed with dubstep and electronica in the RFH bar, was absolutely one of them. Rave kids, pensioners, parents with babes in arms and some particularly energetic school-age children all proved that given the right context music the border between “challenging” music and entertainment is... Read more... |
Esperanza Spalding, Ronnie Scott'sMonday, 23 November 2009
Watching some jazz musicians play live, you're made acutely aware of the intense effort that goes into their performance. Read more... |
Gwilym Simcock, Queen Elizabeth HallSunday, 22 November 2009
Melodically rich, harmonically daring, rhythmically subtle, pianist Gwilym Simcock's quartet piece, “Longing To Be”, which kicked off last night's Queen Elizabeth Hall gig was one of the most jaw-dropping performances I've heard at this year's London Jazz Festival. Read more... |
Transglobal Underground, RichmixSunday, 22 November 2009
Why aren’t more bands like Transglobal Underground? This is not a fatuous question. After all, we live in a joyously multicultural society so one would expect more ethnic influences would have seeped into the mainstream by now. But no, apart from some African guitar riffs adding a veneer of ethnicity to the occasional white college-boy rock group, and some bangra beats spicing up the odd dancefloor hit, the UK and US pop scene seem on the whole to remain hermetically sealed against such... Read more... |
Gilberto Gil, RFHFriday, 20 November 2009
The last time I saw Gilberto Gil play he was performing high-energy reggae with an electric band. Last night, though, it was an autumnal, acoustic trio full of ... Read more... |
Ian Shaw, Pizza Express Jazz ClubWednesday, 18 November 2009
As acts of musical funambulism go, a solo gig by a jazz singer ranks pretty high in the fearless stakes. Listening to Ian Shaw in the intimate surroundings of Pizza Express Jazz Club, without the safety net of bass or drums, you suddenly remember how thrilling it can be to hear songs that have long been absorbed into your consciousness being recast entirely anew. Read more... |
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