peter quinn
Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.
Articles By Peter Quinn
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Manhunt, Royal Court review – terrifyingly toxic masculinity...
Are we really in “a new era of male anger, societal discontent and rage”? This is what...
St Matthew Passion, Dunedin Consort, Butt, Queen’s Hall, Edi...
I was in Germany last week, and nearly every town I went to was advertising a St Matthew or a St John Passion taking place in the week up to...
Midnight Cowboy, Southwark Playhouse - new musical cannot es...
It seems a bizarre idea. Take a pivotal film in American culture that reset the perception of The Great American Dream at this,...
Music Reissues Weekly: Motor City Is Burning - A Michigan An...
In October 1967, John Lee Hooker released a single titled “The Motor City is Burning.” The song commented on the civil unrest which had taken...
St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patr...
When you’ve already come as close as possible to perfection in the greatest masterpiece, why risk a repeat performance with a difference? Because...
Thanks for Having Me, Riverside Studios review - snappily pe...
Keelan Kember’s play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education, Red Pitch...
Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - sto...
A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and...
theartsdesk on Vinyl: Record Store Day Special 2025
Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive...
Sad Book, Hackney Empire review - What we feel, what we show...
Who goes to the theatre to feel sad? That is, knowing full well that they won’t be going home with a skip in their step. Many people, it would...