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peter quinn

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Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Louis Cole, Roundhouse review - nothing is everything

Saturday, 10 May 2025 Read more...

Albums of the Year 2024: Samara Joy - Portrait

Saturday, 21 December 2024 Read more...

Album: Tomorrow X Together - The Star Chapter: Sanctuary

Monday, 11 November 2024 Read more...

Album: Meshell Ndegeocello - No More Water: The Gospel of James Baldwin

Saturday, 27 July 2024 Read more...

Album: Sarah Jane Morris - The Sisterhood

Saturday, 09 March 2024 Read more...

Albums of the Year 2023: Scott Dunn with Claire Martin and the RPO - I Watch You Sleep

Saturday, 23 December 2023 Read more...

Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmony

Wednesday, 22 November 2023 Read more...

Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

Saturday, 18 November 2023 Read more...

Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

Friday, 10 November 2023 Read more...

Album: Nils Petter Molvær - Certainty of Tides

Thursday, 05 October 2023 Read more...

Album: Meshell Ndegeocello - The Omnichord Real Book

Monday, 12 June 2023 Read more...

Album: Laila Biali - Your Requests

Saturday, 29 April 2023 Read more...

Callum Au and Claire Martin, Cadogan Hall review - 'Songs and Stories' live at last

Tuesday, 24 January 2023 Read more...

Albums of the Year 2022: Lizz Wright - Holding Space

Saturday, 24 December 2022 Read more...

Album: Gabriels - Angels & Queens, Part I

Saturday, 24 September 2022 Read more...

2022 Parliamentary Jazz Awards: baubles, bromides and birthdays

Thursday, 07 July 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
Classical CDs: Bells, birdsong and braggadocio

 

Thomas Adès, Oliver Leith, William Marsey:...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....

Glastonbury Festival 2025: Five Somerset summer days of musi...

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“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

Tom Raworth: Cancer review - truthfulness

I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s...

Hill, Sky Documentaries review - how Damon Hill battled his...

Some world champion racing drivers make it look effortless, but it was never that way for Damon Hill. His path to the championship he won in 1996...

Album: Kesha - .

“I’m, like, pop star when I have to pop star, and then I’m...

The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...