New Music Reviews
Reissue CDs Weekly: The ChoirSunday, 18 February 2018
During the British Invasion years, a Cleveland, Ohio band called The Choir ploughed a Brit-focussed furrow from late 1964. Initially and tellingly, they were named The Mods. Their prime mover, Dann Klawon, was a subscriber the switched-on UK monthly Rave, had missed a Mods show to hitch-hike to a Rolling Stones concert and was the first Clevelander to own a copy of “Purple Haze”. Read more... |
Kendrick Lamar, Manchester Arena review - Kung-Fu Kenny sets the stage alightSunday, 11 February 2018
Kendrick Lamar has never been afraid to experiment. Read more... |
Reissue CDs Weekly: Jon Savage's 1965Sunday, 11 February 2018
For Britain, 1965 began with The Beatles’ “I Feel Fine” at the top of the single’s chart. In December, the year bowed out with their double A-side “Day Tripper” / “We can Work it Out” in the same position. But 1965 was not just about The Beatles. Read more... |
Khruangbin, SWX, Bristol review - stoned stew of global sounds hits the markSaturday, 10 February 2018
Texan trio Khruangbin are a rare concoction, psychedelic rockers, for sure, but seamed with all manner of global influences, notably Thai pop but also running the gamut from Latin sounds to Middle Eastern scaling. Hitting the UK in support of their second album, Con Todo El Mundo, they initially... Read more... |
Reissue CDs Weekly: Chris HillmanSunday, 04 February 2018
In 1976, when his first solo album Slippin’ Away was released, Chris Hillman could look back on being a founder member of The Byrds and The Flying Burrito Brothers, two of America’s most important bands. He had also played alongside former members of Buffalo Springfield in Manassas and The Souther-Hillman-Furay Band. Read more... |
Kings of The South Seas, Cutty Sark review - folly and tragedy resurrectedSunday, 04 February 2018
Kings of the South Seas first set sail back in 2014, with their debut album drawing on songs about South Pacific whalers. They are Ben Nicholls on concertina, banjo and fine, sonorous vocals, Spiritualized guitarist Richard Warren and drummer with the Neil Cowley Trio, Evan Jenkins. Read more... |
I'm With Her, Bush Hall review - folk supergroup debut album to treasureWednesday, 31 January 2018
Fresh from Celtic Connections in Glasgow, I’m With Her stepped out at Bush Hall in west London for their only England date before embarking on a major US tour. Sarah Jarosz, who plays guitar, banjo and mandolin, Aoife O’Donovan, guitar, and Sara Watkins, a mean fiddler, are being described as “a folk supergroup” – and seeing, and hearing, is indeed believing. Read more... |
theartsdesk on Vinyl 36: Gary Numan, Wes Montgomery, Trevor Jackson, Propaganda and moreMonday, 29 January 2018
|
Reissue CDs Weekly: How is the Air up There?Sunday, 28 January 2018
“I’ve been labelled as an angry young man / Because I don’t fit into the master plan / Under society’s microscope / I look funny but it’s no joke. I’m a social end product so don’t blame me / I’m a social end product of society / It’s not my fault that I don’t belong / It’s the world around me that’s gone all wrong.” Read more... |
Reissue CDs Weekly: Television PersonalitiesSunday, 21 January 2018
How much of someone else’s despair is it possible to take? What are the limits on putting a sense of desolation or isolation into a song? Can such naked expression be mediated by a glossy production or crowded instrumental arrangements which distract from the core essence of the song? Read more... |
Vinyl matters. It matters to theartsdesk on Vinyl, clearly, as the name may hint. And it matters to many of you. But why? Why does it matter? We all have our own reasons for playing records, some practical, some sound-related, some personal, some ritualistic, some nostalgic, and many more that are harder to define.Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Elisabeth Leonskaja, Wigmore Hall review - a universe of so...
Wonders never ceased in Elisabeth Leonskaja’s return to the Wigmore Hall. Not only did she play Schubert’s last three sonatas with all repeats and...
Megalopolis review - magic from cinema's dawn
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis...
The Snowmaiden, English Touring Opera review - a rich harves...
Just as the first autumn chills began to grip, English Touring Opera rolled into Hackney Empire with a reminder that the sun – “god of love and...
Andsnes, London Philharmonic Choir and Orchestra, Gardner, R...
If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary year...
Music Reissues Weekly: Why Don’t You Smile Now - Lou Reed at...
The Velvet Underground first played before an audience on 11 December 1965. A year earlier, their two founder members Lou Reed and John Cale were...
The Teacher review - tense West Bank drama
It’s hard not to review the Israeli occupation of Palestine when writing about The Teacher. The political context of this first feature...
Suor Angelica, English National Opera review - isolated one-...
Puccini elevated the operatic tearjerker to tragic status in three masterpieces: La bohème, Madama Butterfly and...
Joe Rogan, Netflix Special review - US podcaster leaves the...
Before Joe Rogan gained fame for his podcast The Joe Rogan Experience, he has been, variously, a comic, presenter of goofball...
The Magic Flute, Opera North review - a fresh vision of Moza...
In an autumn season of three revivals, Opera North begin by inviting James Brining, artistic director of Leeds Playhouse, to oversee his own...