New Music Reviews
Katie Melua and Gori Women's Choir, Central Hall Westminster, London, review - Georgia on her mindMonday, 10 December 2018
Amid the cacophony and incivility that characterises so much of our lives today, an evening of calm and beauty with Katie Melua and the Gori Women’s Choir was just the ticket. The venue, Methodist Central Hall, is not the most obvious place for such a concert. Built to mark the centenary of John Wesley’s death, it welcomed the first meeting of the United Nations General Assembly, and Gandhi, Churchill and Martin Luther King have all spoken from its stage. Read more...
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CD: Jessie J - This Christmas DayMonday, 10 December 2018
What makes a great Christmas song? There’s an alchemy to finding the winning combination of whimsy and humour, juxtaposed with a healthy slice of Christmas angst. This formula has led us to spin the same handful of pop bangers that endure down the decades, soundtracking generation after generation of tinsel and mince pies. Read more... |
Reissue CDs Weekly: Unusual SoundsSunday, 09 December 2018
The double album The Sound Gallery was issued in 1995. It collected British easy listening and library music tracks which had been mostly overlooked by reissue compilers as they were beyond a form of musical pale. Read more... |
Cypress Hill, O2 Academy, Birmingham review – OG hip-hoppers light-upThursday, 06 December 2018
There’ve been more than a few cold and wet days in Birmingham just recently, as winter has been making its presence properly felt. Read more... |
Reissue CDs Weekly: Be-Bop DeluxeSunday, 02 December 2018
After Be-Bop Deluxe finished recording their third album at Abbey Road, their label said they needed something to promote as a single. EMI told band-leader Bill Nelson they wanted a song with commercial appeal. The result was the single “Ships in the Night”, which duly charted during the last week of February 1976. Read more... |
EFG London Jazz Festival 2018, round-up review - winners young and oldMonday, 26 November 2018
Jazz musicians of just about all ages and persuasions have been on show in this year’s 10-day EFG London Jazz Festival. Some were making their first mark, some taking stock of who and where they are, some trying new things or changing where they’re headed, others who’ve said yes to commissions, and others whose craft, identity and choices are totally persuasive. Read more... |
Māris Briežkalns Quintet, EFG London Jazz Festival 2018 review - a Rothko symphonyMonday, 26 November 2018
One part of the brain, they tell us, responds to visual art and another, quite different, to music; we can't cope adequately with both at once. Which is why I'm often wary of those musical organisations which think that what we hear needs to be livened up with more to see: mixing Debussy with so-called "Impressionists", for instance, or Stravinsky with Cubism. Read more... |
Reissue CDs Weekly: Kreaturen Der NachtSunday, 25 November 2018
The famous names on Kreaturen Der Nacht: Deutsche Post-Punk Subkultur 1980–1984 are Christiane F., Die Haut, Malaria! and Mania D. Committed collectors of German post-punk and those who there at the time might be familiar with Ausserhalb, ExKurs or Leben Und Arbeiten. Read more... |
Jazzmeia Horn, EFG London Jazz Festival 2018 review - searching for the unexpectedFriday, 23 November 2018
Aside from her incredible time feel, exceptional range and consistently beautiful timbre, what was most impressive about Jazzmeia Horn’s bravura performance at a sold-out Ronnie Scott’s was the sense of joyousness and vitality that coursed through her music-making. Read more... |
Brent Cowles, Thousand Island review – cornering the market in heartbreak and harmonyFriday, 23 November 2018
It’s a freezing cold, wet night in north London and Denver-based musician Brent Cowles is braving the grimness to play his first ever UK gig, at Highbury’s tiny, mirrorball-stuffed Thousand Island (the latest incarnation of The Garage’s upstairs venue). Read more... |
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