New Music Reviews
Steely Dan / The Doobie Brothers, Bluesfest 2017 review - brilliant Dan, delicious DoobiesMonday, 30 October 2017
Following the recent death of the band's co-founder Walter Becker, it seemed faintly remarkable that Steely Dan went ahead with this O2 show at all – it was the closing night event of Bluesfest 2017 – but Becker’s absence wasn’t allowed to detract from the sustained brilliance of the performance. Read more... |
Reissue CDs Weekly: Paul Major’s Feel the MusicSunday, 29 October 2017
Dave Porter has a question. He wants to know where clouds go. “After they pass by, are they just like people, that go on and then die?” The figurative bit between his teeth, he wonders if small clouds “are lonely, like you and I? Do they just go to rain, or is that a tear from their eye? Sometimes I feel like a small cloud passing by, never knowing where I’m going and never knowing why.” Read more... |
Sleaford Mods, Manchester Academy review - laptop punks still have itTuesday, 24 October 2017
Sleaford Mods are not just those two sweary guys with a laptop from Nottingham. Their unique mix of acerbic, politically conscious lyrics and lo-fi earworm loops have rightfully earned them a growing and devoted following across the country. Indeed, the audience at Manchester Academy is packed with moody 20-somethings and middle-aged punks. Rather than appearing intimidating, however, the atmosphere is full... Read more... |
Peggy Seeger: First Time Ever - A Memoir, review - a remarkable lifeSunday, 22 October 2017
Seeger. A name to strike sparks with almost anyone, whether or not they have an interest in folk music, a catch-all term about which Peggy Seeger and her creative and life partner Ewan MacColl (they didn’t actually marry until a decade before his death) had strong feelings. Read more... |
Reissue CDs Weekly: Emerson, Lake & PalmerSunday, 22 October 2017
Committed fans of Emerson, Lake & Palmer are spoiled for choice when they need to feed their passion for prog rock’s most eminent trio. Decent shape original pressings of their albums can be picked up for under £10. Read more... |
Priests/Downtown Boys, Deaf Institute, Manchester review - lively political punk-festSunday, 22 October 2017
Both Rhode Island’s Downtown Boys, and Washington D.C.’s Priests sit at the centre of today’s feminist punk scene. As stated in a recent Downtown Boys press release, they oppose “the prison-industrial complex, racism, queerphobia, capitalism, fascism, boredom, and all things people use to try to close our minds, eyes and... Read more... |
CD: Niall Horan - FlickerSaturday, 21 October 2017
I have a confession to make. The first time I heard "This Town" – the debut release for Niall Horan's new album – I thought it was Ed Sheeran. Which gives an indication of the general level of acceptability of Niall’s first solo foray outside of 1D – "This Town" is sure to stick around the airwaves for a while. Overall, Flicker is pretty mainstream in comparison to his fellow Directioners, who’ve opted for stylistic gimmickery (Zayne Malik), faux-rock-kitsch (Harry Styles... Read more... |
Nick Mulvey, De La Warr Pavilion review - a band chasing the ecstaticFriday, 20 October 2017
British singer-songwriter Nick Mulvey’s new album, Wake Up Now, is one of the year’s finest. However, there’s a moment on the single “Myela”, a heartfelt Afro-Latin stomper protesting the plight of refugees, which can grate. The song suddenly stops and female backing singers begin... Read more... |
Reissue CDs Weekly: The ResidentsSunday, 15 October 2017
80 Aching Orphans ought to be hard work. A four-CD, 80-track, 274-minute overview chronicling 45 years of one of pop’s most wilful bands should be a challenging listen. The Residents have never made records which are straightforward or were meant to be, and have never made records conforming to prevailing trends. Read more... |
The Pretenders, Brighton Dome review - phone-free and feistyFriday, 13 October 2017
Before they even step on stage The Pretenders win me to their side. An announcement prior to their appearance tells the audience, “The Pretenders request you keep your phone in your pocket.” Brilliantly, these aren’t idle words. As the gig progresses security quietly but firmly approach anyone with their phone out and asks them to desist. A few songs into the set, Chrissie Hynde has just begun a stripped-down take on her 1986 hit “Hymn to Her”, accompanied only by Welsh keyboard-player... Read more... |
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