fri 12/09/2025

New Music Reviews

Reissue CDs Weekly: Third Noise Principle

Kieron Tyler

A compilation on which Philip Glass and Terry Riley rub shoulders with Controlled Bleeding and Smegma is going to be interesting. Throw in Data-Bank-A, Dog as Master, NON and Suicide, and it becomes clear what’s striven for is an all-encompassing overview of something particular rather than a miscellany of random names included as attention-grabbers.

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Patti Smith, Roundhouse review – the priestess of punk has lost none of her power

Ellie Porter

“Don’t love me yet,” replies Patti Smith to the first of tonight’s many excitable shout-outs. “Who knows, after 20 minutes you might be gone!” An unlikely scenario, given that this show – part of the Roundhouse’s annual “In the Round” series, which also features Ronnie Spector and Shirley Collins – sold out in nanoseconds and is packed with rapt fans.

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Reissue CDs Weekly: Charles Mingus

Kieron Tyler

Releases dedicated to previously unisssued live recordings can be tricky. The variables at play don’t necessarily ensure that what’s in the shops is worth investigating. The audio sources may be of sub-standard quality or capture an off night. Some live performances are by rote: touring acts can do the same set night after night and things get stale. Who wants to hear yet another version of a familiar composition or song? It goes on.

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Bang on a Can All-Stars, Kings Place review - a kaleidoscope of vibrant sound and vision

David Nice

Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why the compositions of Rebecca Saunders, in the news for winning the 250,000 Ernst von Siemens Music Prize, make me lose the will to live, and whom I’d choose instead.

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Reissue CDs Weekly: Music is the Most Beautiful Language in the World

Kieron Tyler

The title comes from a slogan used in a 1920s newspaper ad for Weinberg’s, a gramophone, record and sheet music shop in Brick Lane. Readers saw the words in Yiddish though.

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Reissue CDs Weekly: Jon Savage's 1968

Kieron Tyler

Without the necessary distance, characterising last year through its pop music is a mug’s game. A gulf of 50 years would bring some perspective. Nonetheless, in spite of that interval there are difficulties in creating a fitting soundtrack to 1968 – especially when using its singles as the emblematic markers.

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Albums of the Year 2018: Courtney Barnett - Tell Me How You Really Feel

Jo Southerd

It’s been a great year for music: trailblazing and unforgettable EPs from Stella Donnelly and boygenius; the triumphant returns of Robyn, and Janelle Monáe; flawless albums from Kurt Vile and Tunng; stunning re-imaginings from St Vincent and Waxahatchee; and confident debuts from Snail Mail and The Orielles.

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Albums of the Year 2018: Janelle Monáe - Dirty Computer

Owen Richards

Janelle Monáe had already established herself as pop’s next great innovator with The ArchAndroid and Electric Ladyland, two albums full of earworms, high production and retro-futuristic lyrics.

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Reissue of the Year: Carola Baer - The Story of Valerie

Kieron Tyler

Moments into “Maker of me”, it’s evident that The Story of Valerie is special. A circular piano figure accompanies a disembodied female voice singing and speaking of a relationship that’s “greater than myself.” Punctuation from a bass guitar is sprinkled sparingly. The next track, “Golden Boy”, is similarly formidable but employs an electronic keyboard, a drum machine and features an even more intense vocal.

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Ed Vulliamy: When Words Fail review - the band plays on

David Nice

If you're seeking ideas for new playlists and diverse suggestions for reading - and when better to look than at this time of year? - then beware: you may be overwhelmed by the infectious enthusiasms of Ed Vulliamy, hyper-journalist, witness-bearer, true Mensch and member of the first band to spit in public (as far as he can tell).

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