tue 26/08/2025

Richard Bratby

Articles By Richard Bratby

Utopia, Limited, National Gilbert & Sullivan Opera Company review - bounded rapture

Read more...

Esfahani, CBSO, Morlot, Symphony Hall Birmingham review - ghostly enchantments

Read more...

St John Passion, English Touring Opera, Lichfield Cathedral review - free-range Bach doesn't quite add up

Read more...

Feng, CBSO, Wilson, Symphony Hall Birmingham review - effortless expression

Read more...

The Cunning Little Vixen, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - nature, large as life

Read more...

Il ritorno d'Ulisse, Longborough Festival Opera review - gods and grunge on the long journey home

Read more...

Bostridge, CBSO, Seal, Symphony Hall Birmingham review - large and live

Read more...

L'heure espagnole, Grange Park Opera online review - seduction and sandwiches in 60 minutes

Read more...

Shakespeare Re-Shaped, Opera Up Close online review - Verdi on the sofa

Read more...

Romances on British Poetry / The Poet's Echo, English Touring Opera online review - Britten and Shostakovich in a double mirror

Read more...

Kanneh-Mason, CBSO, Gražinytė-Tyla online review - muted celebrations

Read more...

BBC Proms live online: Viennese Night review - sophisticated pleasures

Read more...

BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the stars

Read more...

Stephen Hough/Lucy Crowe, Anna Tilbrook, Wigmore Hall online/BBC Radio 3 review - the end of the beginning

Read more...

Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraint

Read more...

Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factor

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...