tue 18/02/2025

Richard Bratby

Articles By Richard Bratby

Utopia, Limited, National Gilbert & Sullivan Opera Company review - bounded rapture

Read more...

Esfahani, CBSO, Morlot, Symphony Hall Birmingham review - ghostly enchantments

Read more...

St John Passion, English Touring Opera, Lichfield Cathedral review - free-range Bach doesn't quite add up

Read more...

Feng, CBSO, Wilson, Symphony Hall Birmingham review - effortless expression

Read more...

The Cunning Little Vixen, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - nature, large as life

Read more...

Il ritorno d'Ulisse, Longborough Festival Opera review - gods and grunge on the long journey home

Read more...

Bostridge, CBSO, Seal, Symphony Hall Birmingham review - large and live

Read more...

L'heure espagnole, Grange Park Opera online review - seduction and sandwiches in 60 minutes

Read more...

Shakespeare Re-Shaped, Opera Up Close online review - Verdi on the sofa

Read more...

Romances on British Poetry / The Poet's Echo, English Touring Opera online review - Britten and Shostakovich in a double mirror

Read more...

Kanneh-Mason, CBSO, Gražinytė-Tyla online review - muted celebrations

Read more...

BBC Proms live online: Viennese Night review - sophisticated pleasures

Read more...

BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the stars

Read more...

Stephen Hough/Lucy Crowe, Anna Tilbrook, Wigmore Hall online/BBC Radio 3 review - the end of the beginning

Read more...

Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraint

Read more...

Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factor

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Blu-ray: Golem

In Jewish folklore, a golem is an inanimate clay figure, brought to life when a magic word is placed inside its mouth....

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...