Film Reviews
The OvernightersMonday, 27 October 2014
In The Overnighters documentarist Jesse Moss found his story and pursued it with remarkable empathy, all in the best traditions of the genre. He persuaded both sides in this tale of (quiet) confrontation to trust him, and they opened up completely. Then closing minute revelations that come as a total shock take his film to a different level, turning what would have been a strong film in itself into something that will stay in the memory for a very long time. Read more... |
Jimi: All Is By My SideThursday, 23 October 2014
The Jimi Hendrix redux directed by John Ridley, Oscar-winning scriptwriter of 12 Years A Slave (and the underrated Undercover Brother, among others), was highly anticipated - especially as this take on the great guitarist’s life would not, apparently, feature any hits. Read more... |
The BabadookThursday, 23 October 2014
Mother love is mangled, yanked inside-out and tested almost to destruction in Australian writer-director Jennifer Kent’s heartfelt horror debut. The Babadook enthusiastically fulfils its remit to scare, but finds its fright in the secret corners of maternal instinct, where frustration, grief and violence meet. Read more... |
FuryWednesday, 22 October 2014
As the bald title suggests, Fury is a work of righteous, focussed rage. It's a combat film which swaps preaching and profundity for pure anger at the brutalising, destructive war machine, and still manages to be illuminating. For, even at its most thrillingly Hollywood, Fury retains a keen sense of the waste of life. Director David Ayer's fifth film features explicit, immersive and impactful violence and works best when it's pummelling the audience and Nazis alike, with... Read more... |
SerenaWednesday, 22 October 2014
If you make a film about logging, you better be sure the audience can see the wood for the trees. When Jennifer Lawrence and Bradley Cooper lead a cast, usually they can do no wrong. Alas, where Silver Linings Playbook and American Hustle offered wit, surprise and characters to root for, such qualities are in meagre supply in Serena. Read more... |
The Way He LooksTuesday, 21 October 2014
Falling in love for the first time is one of the standard tropes of the movies. Brazilian director Daniel Ribeiro gives it a new twist by making the teenage hero of his The Way He Looks (Hoje Eu Quero Voltar Sozinho) blind, and realising in the course of the film that he’s gay. Read more... |
LFF 2014: Germany, Pale MotherMonday, 20 October 2014
When can Nazi Germany be humanised? Never, many German critics believed on Germany, Pale Mother’s 1980 release, when it was apparently despised for its “subjective” account of one woman and her daughter’s lives in that era and its aftermath. Read more... |
This Is Where I Leave YouMonday, 20 October 2014
Normally in Hollywood films, adult siblings being forced to spend time together is Thanksgiving-related, but in Shawn Levy's latest it's their father's death that brings the four grown Altman children together. Their dad, Mort, although an atheist, had a dying a wish to have his Jewish heritage honoured by his family sitting shiva (seven days of mourning). Read more... |
LFF 2014: Winter SleepSunday, 19 October 2014
Nuri Bilge Ceylan’s Cannes Palme d’Or winner is an epic chamber piece by a contemporary great. From the moment a stone suddenly smashes the car window of landlord Aydin (Haluk Bilginer), physical threat darkens the corners of the remote Anatolian hotel-home he shares with his bitter, bored sister Necla (Demet Akbao) and young, emotionally dying wife Nihal (Melisa Sozen). Read more... |
LFF 2014: Margarita, With A StrawSaturday, 18 October 2014
In the vein of My Left Foot, Inside I’m Dancing and Gaby: A True Story, Margarita, With A Straw focuses on living a full life with cerebral palsy. Laila (Kalki Koechlin) is a young woman who lives in Delhi with her supportive and loving family. Despite ructions between mother (Revanthi) and daughter, Laila’s life is pretty good. Growing up is another matter and after one particular embarrassment, she takes on an opportunity to study in New York City. Read more... |
LFF 2014: A Little ChaosSaturday, 18 October 2014
Alan Rickman returns to film directing 17 years after he first stepped behind the camera with a film as pulpy and bodice-ripping as his debut feature, The Winter Guest, was chilly and austere. Visually enticing and packed with a blue-chip international array of actors, several of whom have precious little to do, A Little Chaos addresses a preferred English topic (gardens and gardening) displaced to some mighty elegant French environs. Read more... |
LFF 2014: FoxcatcherFriday, 17 October 2014
There is loud Oscar talk surrounding the stellar performance by Steve Carell in director Bennett Miller’s genuinely unsettling Foxcatcher. Miller (Capote) tackles yet another true crime drama, this time following the steps leading to the murder of David Schultz, an Olympic wrestling champion. Top athletes need patrons and Schultz’s brother Mark (a truly exquisite performance by Channing Tatum) thought he’d found his in John E. Read more... |
LFF 2014: MommyFriday, 17 October 2014
Motherly love is stretched to its very limits in Xavier Dolan’s deeply affecting melodrama. It's pitched to perfection and shot in a claustrophobic 1:1 aspect ratio, which is occasionally opened up to evoke a rush of liberating joy. This stylish and emotionally charged cinematic experience marks out the maturing of one of the most exciting filmmakers working today. Read more... |
The JudgeThursday, 16 October 2014
The Judge is the Chaka Khan of movies: it’s every movie, it’s all in here. Directed by comedy specialist David Dobkin, there were high hopes for this first outing from Team Downey, Robert Jr & Susan Downey's production company. To ensure excitement, Nick Schenk and Bill Dubuque’s script has enough plot for five films: The Judge is a crime drama, court thriller, family melodrama, bromance, romance and comedy. Read more... |
LFF 2014: PhoenixThursday, 16 October 2014
Director Christian Petzold avoided Germany’s grim version of heritage cinema – the war, the Wall – until last year’s Cold War hit Barbara. Read more... |
Björk: Biophilia LiveWednesday, 15 October 2014
From David Attenborough’s spoken introduction to the blonde, robed backing singers, Biophilia Live sees Björk in full experimental flow. Sometimes the film seems almost as if documenting the ceremonial workings of a science-based cult rather than covering an avant-garde pop show. Musically it is reverent, the atmosphere is cerebral, and, above all, Björk’s persona is shamanistic. Read more... |
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