Film Reviews

While We're Young

Matt Wolf Saturday, 04 April 2015

"He's not evil, he's just young," we hear in passing in Noah Baumbach's wickedly funny film about the growing pains that affect us at every stage of life. That's to say that by any objective standard, the 40-something Josh (Ben Stiller) and Cornelia (Naomi Watts) aren't especially old, but they inhabit an entirely different sphere from Jamie (Adam Driver) and Darby (Amanda Seyfried), the deeply hip – and younger – New York couple who soon take over their lives.

The Water Diviner

Veronica Lee Thursday, 02 April 2015

Russell Crowe, who has played more than his fair share of rugged action heroes, makes his directorial debut with The Water Diviner, a film in which he plays, you’ve guessed it, a rugged action hero. He is Joshua Connor, a farmer living in the Australian Outback in the early 1900s, who has an uncanny knack of finding water sources, enabling him to farm this otherwise arid landscape (beautifully shot by Andrew Lesnie).

Altman

Graham Fuller Wednesday, 01 April 2015

Ron Mann’s laid-back documentary about the career vicissitudes and family life of Robert Altman (1925-2006) takes its cue from the tone of the director’s films. It was Altman’s habit to observe his character’s crises, collapses, and deaths with the same evenness and lack of melodrama with which he observed their humdrum moments.

Kidnapping Freddy Heineken

Nick Hasted Tuesday, 31 March 2015

There’s no shame in being a jobbing actor, but you can’t help missing the Anthony Hopkins who dissected repression with definitive, painful finesse, back when he was great. The Human Stain (2003) is the last I’ve seen of that, amongst the last decade’s Norse gods, Greek generals and judges.

Something Must Break

Kieron Tyler Monday, 30 March 2015

Sometimes, nothing can prevent love blossoming. Sebastian’s second encounter with Andreas is punctuated by the latter vomiting after too much booze. It doesn’t put the brakes on the former’s growing passion for the leather-jacketed object of his affections. Soon, the pair are lovers despite Andreas declaring that he is not gay. He cannot resist Sebastian.

Cinderella

Matt Wolf Saturday, 28 March 2015

Lushly produced to within an inch of its pictorially ripe life, the new Disney/Kenneth Branagh live-action Cinderella couples swoony imagery with a cloying message about compassion. But all its pro forma qualities fall away as and when Cate Blanchett takes to the screen, the actress as beady-eyed as she is bristling – and Branagh's film that much the better for it.

Wild Tales

Nick Hasted Thursday, 26 March 2015

Six apocalyptic Argentine stories of revenge combine in this hugely enjoyable and extreme anthology. Producer Pedro Almodóvar must have been impressed by the perverse humour, and the lack of a handbrake as actions rocket out of control. Writer-director Damián Szifron is, though, the sole author of his characters’ nightmarish misfortunes.

Dior and I

Ellin Stein Wednesday, 25 March 2015

If anyone thinks high fashion is an airy-fairy world populated by flibbertigibbets preoccupied with frills and furbelows, Frédéric Tcheng’s feature-length documentary Dior and I, a behind-the-scenes account of the race to prepare the 2012 Christian Dior couture collection in record time, should set the record straight. This is a serious business, with investors’ money and employees’ jobs riding on the quality and execution of one person’s artistic vision.

Blind

Kieron Tyler Monday, 23 March 2015

How would a sighted adult react to becoming blind? What would their anxieties be? How would they construct their new world? Could they construct one? All these questions are central to the Norwegian film Blind. Ingrid can no longer see and is attempting to find her way anew without sight.

The Voices

Adam Sweeting Friday, 20 March 2015

Horror, fantasy, bleak humour and appalling taste combine to make The Voices that rare thing, a movie that defies packaging by soundbite. Iranian director Marjane Satrapi (of Persepolis fame), abetted by screenwriter Michael J Parry, has conjured a looking-glass world of simple, colourful surfaces and childlike charm, only to rip it away to reveal the gibbering psychosis beneath.

Mommy

Tom Birchenough Wednesday, 18 March 2015

“Loving people doesn’t save them” could be the epitaph to the young Canadian director Xavier Dolan’s exuberant, emotionally draining fifth feature Mommy. Its vivid colours, concentrated in an unusual square screen ratio, seem to burst out with devilish energy as we follow the attempts of a loving but stretched mother to look after her 15-year-old son who suffers from attention deficit hyperactivity disorder.

The Gunman

Adam Sweeting Wednesday, 18 March 2015

Naturally Sean Penn, earnest Hollywood liberal and hard-working humanitarian, didn't lightly undertake his role as professional hitman Jim Terrier in The Gunman. "The idea of making violence cute – I've never been interested as an actor in those things," Penn has commented. "But when I read this I thought there were a lot of real-world parallels to it."

A Second Chance

Emma Simmonds Monday, 16 March 2015

Susanne Bier follows the disappointing Serena with a well-acted and worthy drama that confronts societal prejudice, the sticky issues around child protection, and our inability to see what's right under our noses. Despite the plot's predictable and manipulative machinations, A Second Chance is rendered compelling every step of the way by Bier's searching direction and a mesmerising lead performance from Game of Thrones' Nikolaj Coster-Waldau.

Suite Française

Nick Hasted Friday, 13 March 2015

Saul Dibb dispenses with the first half of Irene Nemirovsky’s great novel Suite Française in about a minute. Grainy newsreel footage disposes of the Fall of France in 1940, then it’s on to the occupation of Bussy, the country town where Lucille (Michelle Williams) falls for gentlemanly German officer Bruno (Matthias Schoenaerts, pictured below with Williams).

X + Y

Katherine McLaughlin Wednesday, 11 March 2015

Sally Hawkins, Rafe Spall and Eddie Marsan form a super group of supporting actors in this heart-warming British coming-of-age drama which follows an autistic boy on his journey to the International Mathematics Olympiad (IMO).

Comment

Elle l’Adore

Kieron Tyler Monday, 09 March 2015

The relationship between stars and their fans is symbiotic, but there are barriers for many reasons. Illusions can crumble when the star-struck come too close to their idol. Celebrities have to lead their lives, and intrusions by the obsessed hardly encourage day-to-day routine. Elle L’Adore posits a what-if which takes place when a star decides to breach the barrier.