thu 18/04/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

The Dead City, English National Opera review - strong dream world, weak love story

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Fröst, Philharmonia, Lazarova, Kuusisto, Southbank Centre review - congenial new works complemented by live-wire classics

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Turandot, Royal Opera review - spectacle and sound wow in this significant revival

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Dance of Death, National Theatre of Norway, Coronet Theatre review - straight for the jugular

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Mahler’s Third Symphony, Philharmonia, Paavo Järvi, RFH review - phosphorescent glow, depths only glimpsed

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The New Electric Ballroom, Gate Theatre, Dublin review - fantasy and memory hauntingly interwoven

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Der Rosenkavalier, Irish National Opera review - world-class delight

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The Walworth Farce, Southwark Playhouse Elephant review - dysfunctional Irish myth-making

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Rusalka, Royal Opera review - ravishing sounds, torpid staging

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The Rhinegold, English National Opera review - tacky, edgy, brilliant

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Jerusalem Quartet, Leonskaja, Wigmore Hall review - freedom and rigour in perfect balance

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Boris Giltburg, Wigmore Hall review - tonal beauty trumps subjective romantics

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LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroics

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Dmitri Alexeev, Leighton House review - shadows and light from a master pianist

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DVD: Babylon Berlin, Season Four

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Philharmonia, Hrůša, RFH review - total brilliance in Bartók, Dvořák and Strauss

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The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...