tue 02/09/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Best of 2024: Opera

Read more...

The Pirates of Penzance, English National Opera review - fresh energy in clear-sighted G&S

Read more...

Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall review - seemingly effortless élan

Read more...

Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dublin review - greatness everywhere

Read more...

The Dead, ANU, Landmark Productions, MoLI Dublin review - vital life, love and death in perfect equilibrium

Read more...

Kavakos, Philharmonia, Blomstedt, RFH review - a supreme valediction forbidding mourning

Read more...

Roman Rabinovich, Wigmore Hall review - full tone in four styles

Read more...

The Elixir of Love, English National Opera review - a tale of two halves

Read more...

Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and light

Read more...

The Tales of Hoffmann, Royal Opera review - three-headed monster feels baggier than ever

Read more...

Fauré Centenary Concert 5, Wigmore Hall review - a final flight

Read more...

Fauré Centenary Concert 1, Wigmore Hall review - Isserlis and friends soar

Read more...

theartsdesk at Wexford Festival Opera - let's make three operas

Read more...

The Wild Duck, The Norwegian Ibsen Company, Coronet Theatre review - slow burn, devastating climax

Read more...

The Turn of the Screw, English National Opera review - Jamesian ambiguities chillingly preserved

Read more...

Trouble in Tahiti/A Quiet Place, Linbury Theatre review - top cast plays unhappy families

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto rev...

Every year, the Royal Albert Hall proves complicit in the magic of the quietest utterances if, as Barenboim put it, you let the audience come to...

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.

...

BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...

Album: Brad Mehldau - Ride into the Sun

Brad Mehldau’s three trio concerts in the UK in June showed what it is he does so brilliantly. The group (with bassist Felix Moseholm and drummer...

Music Reissues Weekly: The Outer Limits - Just One More Chan...

The Outer Limits were from Leeds. Active over 1965 to 1968, the...

BBC Proms: Moore, LSO, Bancroft review - the freshness of mo...

11am concerts do take some getting used to. The BBC Proms season has no fewer than...

Willis-Sørensen, Ukrainian Freedom Orchestra, Wilson, Cadoga...

This week Vladimir Putin tried to murder my hosts in Ukraine. He failed. In more hopeful days, I spoke at a seminar organised by the British...

Interview, Riverside Studios review - old media vs new in sp...

The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice;...

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill d...

This edition of Peter Culshaw’s peripatetic...