sat 05/07/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Proms 63-65, Choral Day review - from Harris to Handel/Mozart via Alabama, with love

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Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle review - sound over momentum

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Kaos, Netflix review - playing fast and profuse with the Greek myths

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Prom 58, Orchestre de Paris, Mäkelä review - risky reinvention pays off in part

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Prom 55, Ólafsson, Berlin Philharmonic, Petrenko review - stealth and sweep from the greatest

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Prom 52, Carmen, Glyndebourne Festival review - fine-tuning a masterpiece

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Prom 50, Fujita, Czech Philharmonic, Hrůša review - revelations where least expected

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Prom 30, National Youth Orchestra, NYO Inspire, Bloch, Jackson review - sheer youthful joy, passion and precision

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Prom 23, Grosvenor, LPO, Gardner review - strange meetings

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theartsdesk at the Haapsalu Early Music Festival 2024 - other-worldly instruments, perfect programmes and haunting venues

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Prom 19, Rummukainen, Dandy, BBCSO, Oramo review - inward reflections and choral transcendence

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Tristan und Isolde, Glyndebourne review - infinite love at white heat

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Prom 17, Kozhukhin, RPO, Petrenko review - four tripartite masterpieces

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theartsdesk Q&A: violinist Braimah and cellist Sheku Kanneh-Mason, guitarist Plínio Fernandes, on their two Fantasia Proms

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Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - running the emotional gamut

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Hello, Dolly!, London Palladium review - Imelda Staunton makes every line a deal-broker

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Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

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When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....

Glastonbury Festival 2025: Five Somerset summer days of musi...

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“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

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I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s...

Hill, Sky Documentaries review - how Damon Hill battled his...

Some world champion racing drivers make it look effortless, but it was never that way for Damon Hill. His path to the championship he won in 1996...

Album: Kesha - .

“I’m, like, pop star when I have to pop star, and then I’m...

The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...