tue 01/07/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Götterdämmerung, LPO, Jurowski, RFH review - outside looking and listening in, always with fascination

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Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall review - electrifying teamwork

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Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbican review - blazing French masterpieces

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Machinal, The Old Vic review - note-perfect pity and terror

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Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review - joy in teamwork

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Sheku Kanneh-Mason, Philharmonia Chorus, RPO, Petrenko, RFH review - poetic cello, blazing chorus

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Daphnis et Chloé, Tenebrae, LSO, Pappano, Barbican review - lighting up Ravel’s ‘choreographic symphony’

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Goldscheider, Spence, Britten Sinfonia, Milton Court review - heroic evening songs and a jolly horn ramble

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Gilliver, LSO, Roth, Barbican review - the future is bright

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Carmen, Royal Opera review - strong women, no sexual chemistry and little stage focus

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RuPaul’s Drag Race UK vs the World Season 2, BBC Three review - fun, friendship and big talents

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Bach St John Passion, Dublin Bach Singers, Marlborough Baroque Orchestra, Murphy, St Ann's Church, Dublin - choral fire

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WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else

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Salome, Irish National Opera review - imaginatively charted journey to the abyss

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Esther, London Handel Festival, St George’s Hanover Square review - a lopsided celebratory oratorio

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Jenůfa, English National Opera review - searing new cast in precise revival

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Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...