thu 28/03/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Peter Grimes, English National Opera review - not quite the pity or the truth

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Pygmalion, Old Vic review - zappy wit and emotional intelligence

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Brahms Piano Sonatas, Elisabeth Leonskaja, Wigmore Hall review - when giants meet

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Denk, Danish String Quartet, Wigmore Hall review - metaphysical strings, the piano as chameleon

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Das Rheingold, Royal Opera - knotty, riveting route to destruction

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Prom 60: Gerstein, Berlin RSO, Jurowski review - a master conductor returns with his German band

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Prom 55: Thibaudet, Boston Symphony Orchestra, Nelsons review - old-style showmanship

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Prom 42: Cho, Philharmonia, Rouvali review - inflation offset by sweet oases

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Prom 38: Audience Choice, Budapest Festival Orchestra, Fischer 2 review - true democracy or tricksy referendum?

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Prom 31: Dialogues des Carmélites, Glyndebourne, BBC Radio 3 review - full force on air

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Prom 28: Rangwanasha, National Youth Orchestra, Prieto review - playing, and singing, with a swing

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theartsdesk at the Pärnu Music Festival 2023 - small seaside town, biggest roster of top players

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theartsdesk at the Ravenna Festival - invisible cities and possible dreams

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Don Carlo, Royal Opera review - Lise Davidsen soars above routine

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Ligeti Day; Kolesnikov/Tsoy, Aldeburgh Festival review - 14 musicians, 16 premieres and 100 metronomes

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Ariadne auf Naxos, Garsington Opera review - golden thread leads to deep emotion

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Pages

latest in today

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...

3 Body Problem, Netflix review - life, the universe and ever...

From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...

DVD/Blu-ray: Padre Pio

Faith and damnation frequently collide in Abel...