sun 12/01/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Kaos, Netflix review - playing fast and profuse with the Greek myths

Read more...

Prom 58, Orchestre de Paris, Mäkelä review - risky reinvention pays off in part

Read more...

Prom 55, Ólafsson, Berlin Philharmonic, Petrenko review - stealth and sweep from the greatest

Read more...

Prom 52, Carmen, Glyndebourne Festival review - fine-tuning a masterpiece

Read more...

Prom 50, Fujita, Czech Philharmonic, Hrůša review - revelations where least expected

Read more...

Prom 30, National Youth Orchestra, NYO Inspire, Bloch, Jackson review - sheer youthful joy, passion and precision

Read more...

Prom 23, Grosvenor, LPO, Gardner review - strange meetings

Read more...

theartsdesk at the Haapsalu Early Music Festival 2024 - other-worldly instruments, perfect programmes and haunting venues

Read more...

Prom 19, Rummukainen, Dandy, BBCSO, Oramo review - inward reflections and choral transcendence

Read more...

Tristan und Isolde, Glyndebourne review - infinite love at white heat

Read more...

Prom 17, Kozhukhin, RPO, Petrenko review - four tripartite masterpieces

Read more...

theartsdesk Q&A: violinist Braimah and cellist Sheku Kanneh-Mason, guitarist Plínio Fernandes, on their two Fantasia Proms

Read more...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - running the emotional gamut

Read more...

Hello, Dolly!, London Palladium review - Imelda Staunton makes every line a deal-broker

Read more...

theartsdesk at the Pärnu Music Festival 2024 - youth, experience and old mastery on the highest level

Read more...

theartsdesk Q&A: violinist and music director Pekka Kuusisto on staged Shostakovich, Sibelius, sound architecture and folk fiddling

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

American Primeval, Netflix review - nightmare on the Wild Fr...

It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...

The Second Act review - absurdist meta comedy about stardom

Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...

Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedr...

Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as...

Album: Lambrini Girls - Who Let the Dogs Out

Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist...

Maria review - Pablo Larraín's haunting portrait of an...

As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...

Titanique, Criterion Theatre review - musical parody sinks d...

This Celine Dion jukebox musical has been a big hit in New York, but...

Album: Franz Ferdinand - The Human Fear

Travel back in time to the mid 2000s and you would be hard pressed to escape "Take Me Out" by Franz Ferdinand on the air waves. On the radio,...

Babygirl review - would-be steamy drama that only flirts wit...

Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...