David Nice
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

articles by David Nice

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
If you seek a filmmaker to create the fine grain of 20th-century Europe at its most traumatised, you can’t do better than Hungary’s László…
Tamikrest are one of the swaths of Tuareg bands that were born out of the violent oppression of their people at the hands of the Malian…
1536, Ava Pickett’s debut play, is a tribute to women who won’t shut up, especially ones living precarious lives in Tudor England in the…
Sometimes operas – even immensely powerful ones – simply don’t make complete sense, and we can see why Dr Johnson dismissed the form as an…
Francisco Zurburán’s The Lamb of God (Agnus Dei), 1640 (main picture), must be the most compelling religious picture ever painted. Visually…
Anyone who learned to love Bob Odenkirk from Breaking Bad and Better Call Saul (let alone his stints with Ben Stiller and Larry Sanders)…
There’s a whole wide open area of leftfield music that belongs entirely to Chicago. The 1960s social radicalism and futurist musical…
There are three aspects of English National Opera’s most ambitious project to date in Manchester that demand attention.One is the work…
In a notable case of nominative determinism, the 2025 film about a kabuki star, Kokuho – meaning “national treasure” – became just that in…