tv
Unbreakable Kimmy Schmidt: Kimmy vs The Reverend, Netflix review - bold, but only a partial successWednesday, 13 May 2020
Tina Fey and Robert Carlock’s hit comedy Unbreakable Kimmy Schmidt (Netflix) ended its fourth series in January last year, but this belated interactive special suggested there could be new life in it yet. Read more... |
I Know This Much Is True, Sky Atlantic review - riding a carousel of catastropheTuesday, 12 May 2020
Adapted by writer-director Derek Cianfrance from Wally Lamb’s 1998 novel, this HBO production (on Sky Atlantic) presents a huge canvas for Mark Ruffalo, who plays the twin brothers Dominick and Thomas Birdsey. Read more... |
The Last Kingdom, Season 4, Netflix review - blood, guts and dirty politicsSaturday, 09 May 2020
Meanwhile back in the Dark Ages, Uhtred (son of Uhtred) is still seeking to reclaim his ancestral seat of Bebbanburg and manoeuvre through the treacherous currents of Saxon politics. Read more... |
Rob and Romesh vs Ballet, Sky 1 review - unlikely lads throw themselves in as baitWednesday, 06 May 2020
The odd-couple comedy duo is a time-tested concept, and Rob Beckett and Romesh Ranganathan have discovered a chemistry that works. Rob is the giggling excitable one, while Romesh, aided by a sleepy right eye which conveys a sense of harsh judgmentalism, adds a blast of deadpan scepticism. Read more... |
The A Word, Series 3, BBC One review - Christopher Eccleston steals the showWednesday, 06 May 2020
Christopher Eccleston isn’t the easiest actor to love, because he gives the impression he’ll reach through the screen and grab you by the throat if you don’t appreciate his ferocious thespian intensity, but with the role of Maurice Scott in The A Word (BBC One), he’s found the perfect vehicle for his particular set of skills. Read more... |
Westworld, Season 3 Finale, Sky Atlantic review - Dolores’s plans come to fruitionTuesday, 05 May 2020
After a season that sought to redefine what Westworld could become, the finale exposed the confused arc, before limping towards an emotionally weak ending. Read more... |
Code 404, Sky One review - surreal cop comedy presses the right buttonsThursday, 30 April 2020
DI John Major (Daniel Mays) has been dead a year, shot in the line of duty, though we’re far from that series in terms of tone. Now he’s back at the London Met, artificially augmented, but not very intelligently. If anything he’s a bit more shit than he was before, as one of those involved in the shooting observes. Read more... |
Blood, Series 2, Channel 5 review - expertly-crafted thriller turns the screwThursday, 30 April 2020
Veterans of the first series of Blood will be familiar with writer Sophie Petzal’s fondness for leading the viewer up the garden path and round the mulberry bush as the story develops. Get ready to go through it all again. Read more... |
Paul Hollywood Eats Japan, Channel 4 review - Mr Bake Off gets culture shockWednesday, 29 April 2020
“Paul is in Japan to eat,” announced Rebecca Front’s smart-alecky voice-over, introducing this new series for Channel 4, but he was also there to do that very British thing of wallowing in blissful ignorance of foreign customs and traditions. A Very British Travelogue, in fact. Read more... |
The Village, ITV review - the weird and wonderful micro-climate of PortmeirionWednesday, 29 April 2020
Portmeirion, the Italianate village created by architect Sir Clough Williams-Ellis on the River Dwyryd estuary, might have been designed to provide the perfect surreal setting for the 1967 TV series The Prisoner. But though it resembles an opium... Read more... |
Pages
latest in today
Road Diary: Bruce Springsteen and the E Street Band, Disney+...
Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made...
Blitz review - racism persists as bombs batter London
Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was...
The Buddha of Suburbia, Barbican Theatre review - farcical f...
Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost...
Small Things Like These review - less is more in stirring Ir...
There’s much to note and commend about Small Things Like These, a sensitive, gorgeously shot and moving adaptation of Claire Keegan’...
Anora review - life lesson for a kick-ass sex worker
Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...
Album: Willie Nelson - Last Leaf on the Tree
Well, seems like only yesterday when I reviewed Willie Nelson’s last album, Borderline, an excellent set from the man’s ninth decade, and...
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Rigoletto, English National Opera review - another hit for M...
How we used to mock those stuck-in-the-mud opera houses that wheeled out the same moth-eaten production of some box-office favourite decade after...
How To Survive Your Mother, King's Head Theatre review...
It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006...
Album: The Cure - Songs of a Lost World
Could melancholia be an elixir of creative youth? Or is it that sad people were never really that youthful, so age suits them? Certainly it seems...