wed 03/09/2025

tv

The Guest, BBC One review - be careful what you wish for

Adam Sweeting

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant Keeping Faith, you’d imagine that by now she’d have been snapped up for some mega-budget extravaganza on Amazon or Apple TV or be romping around with Tom Cruise.

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King & Conqueror, BBC One review - not many kicks in 1066

Adam Sweeting

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror purports to be the story of how the Norman monarch William (the titular Conqueror) and England’s King Harold found themselves locked in a battle to the death at Hastings, each having negotiated a fearsome labyrinth of plots, treachery, ambition and murder in order to become top dog on either side of the English Channel.

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Hostage, Netflix review - entente not-too-cordiale

Adam Sweeting

Conceived and written by Matt Charman, whose CV includes an Oscar nomination for his work on Steven Spielberg’s film Bridge of Spies, Hostage is a rather puzzling mix of political thriller and domestic drama which can never decide whether it’s serious or not.

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In Flight, Channel 4 review - drugs, thugs and Bulgarian gangsters

Adam Sweeting

What would TV screenwriters do without drugs? In Flight, created by Mike Walden and Adam Randall, is yet another drama depicting the perils and pitfalls of getting sucked into the narcotics trade, though it does deliver a twist or two to distinguish it from earlier specimens.

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Alien: Earth, Disney+ review - was this interstellar journey really necessary?

Adam Sweeting

Ridley Scott’s original Alien movie from 1979 was an all-time sci-fi/horror classic, and even an endless stream of sequels and spin-offs – Aliens, Alien 3, Alien Resurrection, Alien vs Predator, Prometheus, Alien: Romulus et al – hasn’t diluted the electrifying impact of the original.

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The Count of Monte Cristo, U&Drama review - silly telly for the silly season

Adam Sweeting

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and televised even more frequently (a Mexican incarnation materialised in 2023). Yet the world still can’t get enough, so here’s another one, this time a French/Italian production with a polyglot Euro-cast.

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The Narrow Road to the Deep North, BBC One review - love, death and hell on the Burma railway

Adam Sweeting

Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and infidelity, as it roves over the decades from World War Two to the late Eighties.

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The Waterfront, Netflix review - fish, drugs and rock'n'roll

Adam Sweeting

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport, North Carolina. As Bree Buckley (daughter of Harlan and Belle) tells recently-discovered family member Shawn, “I wouldn’t wish us on anybody.”

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Ballard, Prime Video review - there's something rotten in the LAPD

Adam Sweeting

Following the success of its screen version of Michael Connelly’s veteran detective Harry Bosch, starring Titus Welliver, Prime Video aims to make lightning strike twice by televising Connelly’s series of Renée Ballard books. Like Bosch, Ballard works for the LAPD, but has been demoted from the Robbery-Homicide division after reporting a sexual assault by her supervisor, Robert Olivas.

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Bookish, U&Alibi review - sleuthing and skulduggery in a bomb-battered London

Adam Sweeting

As a sometime writer of Poirot, Sherlock and Christmas ghost stories, Mark Gatiss is no stranger to enigmatic crimes and bizarre occurrences set in carefully-recreated versions of the past. He revisits similar themes in Bookish, his new series about a second-hand bookseller in post-World War Two London who is evidently concealing some hidden depths.

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