sun 08/12/2024

tv

The Tourist, Series 2, BBC One review - an amnesiac Jamie Dornan explores his Irish roots

Adam Sweeting

It was barely a month ago that screenwriters Jack and Harry Williams astounded viewers with Boat Story. Now they’re back with a sequel (or maybe just a continuation) of The Tourist, which debuted a year ago with its mind-bending story of the amnesiac Elliot Stanley (Jamie Dornan), who found himself all at sea in the Australian outback.

Read more...

Best of 2023: TV

Adam Sweeting

TV viewers can hardly complain about a lack of choice these days, though they might baulk at funding an ever-lengthening list of subscriptions.

Read more...

The Kemps: All Gold, BBC Two review - bickering with the Ballet boys

Adam Sweeting

This is the follow-up to 2020’s The Kemps: All True, in which rock satirist Rhys Thomas assessed the Spandau Ballet boys as the band reached its 40th anniversary. This time, we rejoin Thomas as he spends a year as a fly on the wall in the chaotic lives of Martin and Gary, culminating in their plans to appear in the BBC’s New Year celebrations as 2024 dawns.

Read more...

Murder Is Easy, BBC One review - was this journey really necessary?

Adam Sweeting

Well at least they haven’t changed the identity of the killer this time around, but the BBC’s new version of Agatha Christie’s 1939 novel has been modified in other ways. Screenwriter Siân Ejiwunmi-Le Berre and director Meenu Gaur have opted to move the story into the mid-1950s, introducing themes of racism, class prejudice and capitalist exploitation.

Read more...

Mad About the Boy: the Noël Coward Story, BBC Two review - the making of The Master

Adam Sweeting

They called Noël Coward “The Master”, and Barnaby Thompson's 90-minute documentary marking 50 years since his death reminded us why. Though there was nothing here in the way of hitherto unknown revelations, the tale of how a boy who left school at nine and had no musical training yet became one of the world’s most prolific playwrights and composers undoubtedly has something fantastical about it.

Read more...

A Ghost Story for Christmas: Lot No 249, BBC Two review - mummy's boy unleashes hell in the halls of academe

Adam Sweeting

Having previously brought us adaptations of M R James’s ghost stories, reviving the BBC tradition inaugurated by Lawrence Gordon Clark in the 1970s, Mark Gatiss has now turned to a short story by Arthur Conan Doyle for his annual Christmas chiller.

Read more...

The Heist Before Christmas, Sky Max review - the Santa Claus wars

Adam Sweeting

Not just one, but two Santas in this agreeable seasonal romp. It’s set in small-town Northern Ireland, where single mum Patricia (Laura Donnelly) is struggling to bring up her two young sons, Mikey (Bamber Todd) and Sean (Joshua McLees).

Read more...

Blood Coast, Netflix review - mayhem in Marseille

Adam Sweeting

The original title of this French crime drama was Pax Massilia, a reference to the classical roots of its setting in what is now known as Marseille. Dating back to the 6th Century BC, it’s supposedly the oldest city in France. An atmospheric mix of architectural styles, dramatic views, a Mediterranean climate and multiple ethnicities, it makes the perfect stage for this fast-paced and sometimes horrifically violent thriller.

Read more...

Vigil, Series 2, BBC One review - DCI Silva swaps a submarine for deadly drones

Adam Sweeting

In its first series in 2021, Vigil delivered a claustrophobic though frequently absurd tale of murder and Russian spies aboard a British nuclear submarine. This time around it’s the RAF under the spotlight, though its name has mysteriously been changed to the British Air Force.

Read more...

Kin, BBC One review - in Dublin's not-so-fair city

Adam Sweeting

Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’s not what we find in Kin. This is a chilly, menacing Dublin, full of modern but charmless architecture and gripped by organised crime.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Nocturnes review - the sounds of the rainforest transport yo...

If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often...

Julia Holter, Islington Assembly Hall review - shelter from...

On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by...

Music Reissues Weekly: John Leyton - Lone Rider The Holloway...

For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe...

theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen J...

Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair...

Merchant Ivory review - fascinating documentary about the di...

“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to...

The Pirates of Penzance, English National Opera review - fre...

“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...

Hansel and Gretel, Shakespeare's Globe review - too sac...

Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I...

Album: The Unthanks - In Winter

By and large, most Christmas albums seem to fall into one of two camps. There’s either the lively poptastic soundtracks favoured at family or work...