tv
theartsdesk Q&A: writer and comedian Tom DavisFriday, 13 August 2021
After leaving school at 14, Tom Davis spent 10 years working as a scaffolder on building sites, while always harbouring what he thought was the impossible dream of getting into comedy. Hailing from Sutton in south London, he had a go at standup and for a time found himself in drag, singing Disney songs. Read more... |
theartsdesk Q&A: Isabella Pappas on how 'Finding Alice' is a blueprint for bereavementMonday, 01 February 2021
Isabella Pappas was nominated for an Olivier Award seven years ago – before she’d even started secondary school. The 18-year-old now stars in ITV’s new comedy-drama about grief, Finding Alice, opposite Keeley Hawes, Joanna Lumley, and Nigel Havers. Read more... |
theartsdesk Q&A: actor Polly Walker on 'Bridgerton' and the new breed of period dramaMonday, 25 January 2021
Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. Read more... |
theartsdesk Q&A: actor Gemma WhelanSaturday, 11 April 2020
She's not quite a household name yet, but Leeds-born Gemma Whelan is heading speedily in that direction. Having started out as a standup comedian, winning the Funny Women Variety Award in 2010, Whelan began notching up film and TV roles, en route to making a significant breakthrough by being cast as Yara Greyjoy in HBO's Game of Thrones. Read more... |
Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'Saturday, 26 January 2019
Apparently in Denmark they pronounce screenwriter Adam Price’s surname as “Preece”, but its English-looking spelling stems from the fact that his ancestors moved from London to Denmark in the 18th century. Read more... |
John Mahoney: 'I wanted to be like everybody else'Tuesday, 06 February 2018
In 11 seasons of Frasier, John Mahoney played Marty Crane, a cussed blue-collar ex-cop who couldn’t quite understand how his loins came to produce two prissily cultured psychiatrists. His ally in straight-talking was his physiotherapist Daphne, whose fish-out-of-water flat-cap vowels were apparently the result of a gap in the scriptwriters’ field of knowledge. Read more... |
theartsdesk Q&A: Steven Knight and Cillian Murphy of Peaky BlindersSaturday, 11 November 2017
Like a lot of people, I came late to Peaky Blinders, bingeing on the first two brutal, but undeniably brilliant, series like the proverbial box-set sensation it quickly became. Read more... |
Douglas Henshall: 'You can get stuck when you’ve been in the business for 30 years' - interviewMonday, 06 November 2017
“I’m mad as hell and I’m not going to take this anymore!” In 1976 American anger about the state of the nation was channelled into Network, in which cinema satirised its kid sibling television as vapid and opportunistic. Paddy Chayefsky’s script, directed by Sidney Lumet, starred Peter Finch as Howard Beale, a news anchor who has a nervous breakdown on screen in which he starts preaching and becomes the news. Read more... |
David Oakes: 'I haven’t done anything as bad as my characters'Monday, 16 October 2017
“He has something of Dillane about him.” Thus Patrick Marber on David Oakes. “I rate him very highly indeed. One of the very best of his generation.” Audiences at the Theatre Royal Haymarket will be able to judge for themselves this autumn. Oakes, 34, stars opposite Natalie Dormer in Marber’s production of Venus in Fur, a sizzling two-hander by David Ives. Read more... |
theartsdesk Q&A: Director Peter Kosminsky, Part 2Friday, 18 August 2017
It was only at the dawn of the Blair age that Peter Kosminsky truly emerged as a basilisk-eyed observer of the nation’s moral health. By the time New Labour came to power in 1997, Kosminsky had been working for several years on a film which was eventually broadcast in 1999. Warriors, an award-winning account of the traumatic fallout of peacekeeping in Bosnia, served as a prequel to a trilogy of films in which he tracked the ethical degradation of the Blair decade. Read more... |
Pages
latest in today
The Undeclared War, Channel 4 review - how would the UK cope...
As the world lurches ever deeper into multiple manifestations of chaos,...
The White Card, Soho Theatre review - expelling the audience...
We’re in New York City, in an upscale loft...
Katya Adaui: Here Be Icebergs review - odd relations
The title of Katya Adaui’s debut collection in English is taken from one of the 12...
Joe Lycett, Eventim Apollo review - prankster goes long-form
Joe Lycett’s career was on an upward trajectory when he took on hosting duties on The Great British Sewing Bee, and the crafting show...
The Bobby Lees, Hare & Hounds, Birmingham review - rock’...
In a week when all kinds of people were going bonkers over an octogenarian playing songs from over 50 years ago to tens of thousands of people in...
Album: Imagine Dragons - Mercury - Act 2
“What happens in Vegas, stays in Vegas.” That’s the rule, right? Unless, of course, what happens is that you form a...
Glastonbury Festival 2022: an unexpurgated odyssey around th...
Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and...
Nitram review - chilling drama based on the Port Arthur gunm...
Nitram, Australian director Justin Kurzel’s deeply disturbing film about the man responsible for the Port Arthur massacre in Tasmania in...
Man vs Bee, Netflix review - or should it be Bee vs Bean?
Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a...
Così fan tutte, Royal Opera review - vibrant youth and vocal...
Irish soprano Jennifer Davis, a stunning Elsa in this Royal Opera season's revival of Wagner’s Lohengrin, was the lure to sit through Jan...