tv
Anna Maxwell Martin: 'I like playing baddies' - interviewTuesday, 28 March 2017
She was Lyra in Philip Pullman’s His Dark Materials at the National, she has shared the stage with Eileen Atkins (in Honour and The Female of the Species), played Isabella in Measure for Measure, Regan in King Lear and Sally Bowles in Cabaret. Read more...
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10 Questions for TV Producers Stan Lee and Gill ChampionSaturday, 25 February 2017
It’s a fairly big deal to be interviewing Stan Lee. Generations have been enthralled by his work, from the 1960s comics The Amazing Spider-Man and The Uncanny X-Men – which came to the UK first as US imports and later as black and white reprints via Marvel UK – to the more colourful world of Doctor Strange via The Incredible Hulk and Daredevil. Read more... |
10 Questions for Actor Conleth HillMonday, 13 February 2017
Some know him only as Lord Varys the scheming eunuch, spymaster to the king of the Seven Kingdoms. Game of Thrones fans may be less familiar with Conleth Hill's other career as a nimble. light-footed stage actor of staggering range and skill whose name, mystifyingly, is less celebrated than his talents deserve. That is about to change. Read more... |
Andrew Marr: 'I don’t want to look like I'm in pain'Sunday, 12 February 2017
Television audiences love seeing familiar faces in different contexts – whether it’s actors exploring their ancestry in Who Do You Think You Are? or politicians awkwardly busting their moves on Strictly. But there’s always a risk that the camera will reveal more than you’d like. Read more... |
10 Questions for Actress Phoebe FoxMonday, 06 February 2017
In London and New York, Phoebe Fox (b. 1987) is known to theatregoers as Catherine, the niece over whom Mark Strong's Eddie Carbone went pazzo. Their physical intimacy, in Ivo van Hove’s sizzling Young Vic production of A View from the Bridge, made for an intensely uncomfortable viewing experience. For her return to the stage, Fox is in a frothier one-sided relationship. Read more... |
Interview: Claire Foy, Netflix queenMonday, 09 January 2017
It was a good night for British thespians at the 2016 Golden Globes. The stars of The Night Manager – Tom Hiddleston, Hugh Laurie and Olivia Colman – all visited the podium to collect awards. Read more... |
theartsdesk Q&A: Actor Robert VaughnSaturday, 12 November 2016
New York-born actor Robert Vaughn, who has died at the age of 83, achieved massive popular success when he starred as the sleek secret agent Napoleon Solo in The Man from U.N.C.L.E., which ran for four seasons from 1964 to 1968 and exploited the then-new James Bond mania to ratings-busting effect. Read more... |
Warren Mitchell - ‘If you could be Welsh and Jewish you really couldn’t miss’Saturday, 14 November 2015
“He has been in poor health for some time, but was cracking jokes to the last,” read the statement from Warren Mitchell’s family following news of his death today, at the age of 89. That will come as no surprise for those who remember the actor primarily as Alf Garnett, first in Till Death Do Us Part (on the BBC, 1965-75), and later In Sickness and In Health (1985-1992). Read more... |
Maggie Smith: 'If there’s an old bat to play, it’ll be me'Sunday, 08 November 2015
Maggie Smith rarely gives interviews. In the week that Downton Abbey's last-ever series episode is broadcast, and she reprises on screen her role in Alan Bennett's The Lady in the Van (pictured below with Alex Jennings), theartsdesk revisits an encounter that took place in Highclere Castle in 2010. Read more... |
theartsdesk Q&A: Writer Bernard CornwellWednesday, 21 October 2015
Bernard Cornwell's best-selling Sharpe series, set during the Napoleonic wars, transferred to television with huge success. This week, it’s the turn of his Saxon Stories to make the jump, as the BBC airs its lavish, eight-part drama The Last Kingdom, based on Cornwell's novels. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Faust, Royal Opera review - pure theatre in this solid reviv...
“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...
Mrs. Warren's Profession, Garrick Theatre review - moth...
How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...
Mongrel review - deeply empathetic filmmaking from Taiwan
There is a dark, spectral quality to this empathetic film about Southeast Asian migrant workers in rural Taiwan. At the centre of...
Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manche...
Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist...
The Phoenician Scheme review - further adventures in the idi...
It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...
Album: Ammar 808 - Club Tounsi
Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...
Mission: Impossible - The Final Reckoning review - can this...
Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...
Code of Silence, ITVX review - inventively presented reality...
In the guided tour of Britain’s cathedral cities that is the primetime TV...