fri 01/11/2024

tv

The Trip to Greece, Series Finale, Sky 1 review - bittersweet swansong for the cantankerous comrades

Adam Sweeting

Could this mock-mythic journey, emulating the trek homewards to Ithaca of Homer’s hero Odysseus, really be the final series of The Trip (Sky 1)? Or will Steve Coogan and Rob Brydon see sense, and realise that they’ll never have as many free lunches as this again?

Read more...

Pen15, Sky Comedy review - the horror of adolescent schooldays revisited

Adam Sweeting

The cringe-making horror of adolescent schooldays is vividly re-lived in this US import (on Sky Comedy), but with a cunning twist. Its supposedly confused and hormonal leads are played by 30-somethings Maya Erskine and Anna Konkle, who blend themselves in with a cast of actual 13-year-olds with uncanny skill.

Read more...

The Steph Show, Channel 4 review - magazine show debuts from host's front room

Veronica Lee

As we are learning each day during lockdown, necessity is the mother of invention. In Channel 4's case, it is learning how the wonders of modern technology can save a situation: to wit, The Steph Show was meant to come live daily from a shiny new studio in Leeds Docks, but yesterday debuted from host Steph McGovern's front room in North Yorkshire. 

Read more...

Batwoman, E4 review - can Bruce Wayne's female cousin fill his bat-costume?

Adam Sweeting

The Marvel Cinematic Universe has been saturating the globe with its multi-format superheroes, leaving its DC rival looking clumsy and disorganised by comparison.

Read more...

Rock ‘n’ Roll Island: Where Legends Were Born, BBC Four review - remembering rock's big bang

Liz Thomson

“Friday night is Amami night” – that was the ad that ran from the 1920s through to the 1950s for a brand of “setting lotion”, a delightfully old-fashioned term. Those were the days when young women stayed home and did their hair, in preparation for a Saturday night out.

Read more...

ReMastered: Devil at the Crossroads, Netflix review - a story well told but marred by clichéd style

mark Kidel

Mississippi bluesman Robert Johnson’s reputation was much enhanced by the story – never substantiated – that he’d met with the devil one night at a crossroads, and was miraculously taught exquisite guitar licks that astounded his juke-joint audiences and later the world.

Read more...

Mister Winner, BBC2 review - gentle comedy about one of life's losers

Veronica Lee

Spencer Jones, a clownish stand-up, has been responsible for some the cheeriest, daftest and most heart-warming shows at the Edinburgh Fringe, where he has twice been nominated in Dave's Edinburgh Comedy Awards (ECA). Others may know him from his scene-stealing turn in Upstart Crow, where he channels Ricky Gervais in the character of Will Kempe.

Read more...

Our Girl, Series 5, BBC One review - where soap and warfare collide

Adam Sweeting

Some things never change in Our Girl. At the beginning of 2018’s Series 4, military heroine Georgie Lane (Michelle Keegan) had been traumatised by the death of her fiance Elvis Harte, killed in Afghanistan at the end of Series 3.

Read more...

Comedy Against Living Miserably, Dave review - standups tread the boards for CALM charity

Adam Sweeting

This was the third collaboration between Dave and the mental health charity CALM (Comedy Against Living Miserably), hosted at EartH in Dalston by Joel Dommett.

Read more...

Putin: A Russian Spy Story, Channel 4 review - inside the mind of a man without a face

Tom Birchenough

Director Nick Green’s new three-parter follows on the heels of his A Dangerous Dynasty: House of Assad and comparisons are sure to be made between his two subjects.

Read more...

Pages

 

latest in today

Guards at the Taj, Orange Tree Theatre review - miniature ma...

It’s 1648 in Agra, and an excitable young guardsman has come up with an idea: a giant flying platform that he calls an “aeroplat”. As...

Road Diary: Bruce Springsteen and the E Street Band, Disney+...

Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made...

Blitz review - racism persists as bombs batter London

Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was...

The Buddha of Suburbia, Barbican Theatre review - farcical f...

Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost...

Small Things Like These review - less is more in stirring Ir...

There’s much to note and commend about Small Things Like These, a sensitive, gorgeously shot and moving adaptation of Claire Keegan’...

Anora review - life lesson for a kick-ass sex worker

Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...

Album: Willie Nelson - Last Leaf on the Tree

Well, seems like only yesterday when I reviewed Willie Nelson’s last album, Borderline, an excellent set from the man’s ninth decade, and...

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Rigoletto, English National Opera review - another hit for M...

How we used to mock those stuck-in-the-mud opera houses that wheeled out the same moth-eaten production of some box-office favourite decade after...

How To Survive Your Mother, King's Head Theatre review...

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006...