fri 12/09/2025

tv

Garrow's Law: Series 2, BBC One

Adam Sweeting

With a Royal Television Society award in the bag for its first series, Garrow’s Law has shifted up a gear with a batch of new stories about such momentous issues as homosexuality in the 18th century, the callous treatment of injured servicemen and attitudes to women in a supposed Age of Enlightenment.

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Elgar: The Man Behind the Mask, BBC Four

David Nice

Where is the real Elgar to be found – in his boisterous self-portrait at the end of the Enigma Variations, the warm, feminine sentiment of the Violin Concerto and the First Symphony’s Adagio, or the nightmares of the Second Symphony? No doubt in each of them, and more. John Bridcut’s painfully sensitive documentary hones in on the private, introspective Elgar, the dark knight of "ghosts and shadows", always with the music to the fore. And by getting the good and great, young and old...

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The Only Way is Essex, ITV2

alexandra Coghlan

To vajazzle or not to vajazzle; it’s the question on everyone’s, er, lips. Thanks to ITV’s unlikeliest of hits, The Only Way is Essex, tans will be brighter, teeth whiter and bodies more diamante-encrusted across the nation this winter. It’s the aesthetic equivalent of missionary work, and boy are these guys devout.

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True Stories: Joan Rivers - A Piece of Work, More4

Adam Sweeting

This bit was at the end, but it might as well have been at the beginning. Or, really, just bannered across the bottom of the screen all the way through: "I am a performer. That is my life. That is what I am. That's it."

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Spooks: Series Finale, BBC One

Adam Sweeting

The sense of crisis gathering over Spook Central in the last few episodes finally burst through this season finale like a Krakatoa-style cataclysm. Any lingering hopes that Richard Armitage’s Lucas North – the man we now know was really John Bateman – wasn’t really a black-hearted killer were brutally dashed. There was no more wriggle room. Bateman was bad to the bone.

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Downton Abbey: The Finale, ITV1

theartsdesk

Defying predictions that there would be no audience for a period costume drama set in an Edwardian country house, Downton Abbey has become the TV event of 2010. Episode one notched 11.6 million viewers (including repeats and ITV Player viewings), while episode two edged up to 11.8 million.

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The Walking Dead, FX

Adam Sweeting

You’re casting a deputy sheriff from Kentucky who wakes from a coma to find the landscape littered with corpses and overrun by flesh-eating zombies, so who do you call? Well obviously Andrew Lincoln, the irritatingly drippy English actor from Teachers and This Life.

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Ego: The Strange and Wonderful World of Self-Portraits, BBC Four

Fisun Güner Laura Cumming presents 'an intelligent, probing and charming visual essay on a unique genre'

Albrecht Dürer painted himself as Jesus (pictured below). Luckily, he was blessed with the looks, the hair and the initials – echoing the geometry of his golden locks the A straddles the D in his inscribed paintings. And when this German messiah of painting died, his beguiling 1500 self-portrait – one of the most hypnotic ever painted in the history of Western art – was carried through the streets of Nuremburg, his birthplace: celebrated during his life, upon his death Dürer...

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The Trip, BBC Two

Veronica Lee

There’s an interesting back story to The Trip. Before Rob Brydon was “discovered” by Steve Coogan’s Baby Cow production company in 2000, he was a workaday comic and Coogan was then at the height of his Alan Partridge-induced success.

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The Little House, ITV1

Adam Sweeting

I realise actors must be prepared to suffer for their art, but it was truly heroic of Francesca Annis to allow herself to be made up to resemble Cherie Blair after a bout of electro-convulsive therapy compounded by a facelift by Dr Mengele. In The Little House, Annis plays Elizabeth, the cold and controlling mother of Patrick (Rupert Evans, formerly King Richard IV in the hilarious royal soap The Palace).

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