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Friday Night with Jonathan Ross, BBC One: The Twitter ReviewFriday, 16 July 2010
JasperRees He can't pronounce vuvuzela JasperRees Is this really Becks' first time? What do he and Rourke say to each other? Bloody hell, Roxy are looking a bit senior SweetingAdam Rourke once made a TV movie about Shergar. Title role I guess. JasperRees Did they deliberately choose a Mickey Rourke clip in which he didn't say a word? Read more... |
The Silence, BBC OneThursday, 15 July 2010
There was a gnawing suspicion that The Silence wouldn’t amount to much, since it was dumped in a four-night splurge in the middle of the mid-summer doldrums, and even the normally docile Radio Times had decided to stamp its foot and pick holes in it. One’s apprehension proved ill-founded, however. It turned out to be taut, tense, well acted and smartly written, and carried enough pace to lift it over the more credulity-stretching passages. Read more... |
Living with Brucie, Channel 4Wednesday, 14 July 2010
So was it nice to see him (to see him nice)? Actually nice is probably the wrong word for Bruce Forsyth on the evidence of the opening documentary in a new series of Cutting Edge – tetchy, obsessive in his habits and (as we shall see) sometimes downright unpleasant, may be nearer the mark, as director David Nath gains access to Forsyth’s two palatial homes (... Read more... |
That Mitchell and Webb Look, BBC TwoWednesday, 14 July 2010
If you know David Mitchell and Robert Webb from Peep Show on Channel 4 (written by Jesse Armstrong and Sam Bain), in which Mitchell plays the insufferably self-important Mark and Webb the self-deluding idiot Jeremy, then you will easily recognise similar stock types being used in That Mitchell and Webb Look on BBC Two, which goes to show you should never mess with a winning formula... Read more... |
Concorde’s Last Flight, Channel 4Monday, 12 July 2010
As an 11-year-old boy, I was awestruck from the first moment I saw Concorde on our three-channel black-and-white television, seemingly rearing up from its runway like a cyborg swan. At that age - and during that era - fact and fiction became vertiginously blurred when it concerned the fast-forward march of science and technology. While Factual-man was taking one slow-motion giant leap for mankind, Fictional-man was going where no man had gone before. Read more... |
Pete and Dud: The Lost Sketches, BBC Two/ British Grand Prix, BBC OneSunday, 11 July 2010
Great comedy may be timeless, but that's probably because of the great comedians performing it as much as the material itself. Could you imagine Dad's Army being anything more than a shadow of its former self if it was remade with a new cast? Would Frasier achieve the same transcendent mix of bourgeois self-regard and millisecond farcical timing with James Corden and Mathew Horne in place of Kelsey Grammer and... Read more... |
Classic Albums: John Lennon/ Plastic Ono Band, BBC FourSaturday, 10 July 2010
The BBC just can't stop showing that flipping Lennon Naked drama. No sooner have we emerged from the Fatherhood Season, where it first appeared, than we're into a John Lennon Night on BBC Four, featuring Lennon Naked again under a new temporary flag of convenience. Read more... |
Dive, BBC TwoFriday, 09 July 2010
Dominic Savage’s new two-part film, part of BBC Two’s renewed commitment to intelligent and challenging drama (we shall see; fewer biopics please), comes billed as a look at modern teenage life, although it seemed more drawn to long silences - or the sound of the wind in the trees - and the seemingly desolate land and seascapes of the Lincolnshire coast. Your eyes kept being drawn to the edge of the screen, away from the young protagonists, Lindsey and Robert, which I suppose was meant to... Read more... |
Tim Marlow Meets Terry Jones, Sky ArtsThursday, 08 July 2010
He may be a writer, a director, an actor, a historian, and, of course, a former member of Monty Python, yet rather than being a Renaissance man, Terry Jones is clearly a mediaevalist at heart. We know this not only because he has written well-received books on Chaucer and medieval history, but an amiable half hour spent in his company at the National Gallery shows us just where his sensibilities lie. He was the first guest in a series inviting celebs to talk about their favourite artworks and... Read more... |
Imagine: Tom Jones - What Good Am I? BBC OneWednesday, 07 July 2010
The voice, being 70, isn’t quite the untamed beast of yore. But it retains a certain feral throb. Alan Yentob stands across the recording studio, listening donnishly as Tom Jones belts one out. “You still feel the presence and power,” he reports. Not that you’d know from the way Yentob sways ever so imperceptibly in his BBC execuspecs. Yentobs don’t dance. Go on, man, do the done thing. Whip off your drawers and lob them lovingly at the Pontypridd Pelvis. Read more... |
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