Theatre Reviews
Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorousThursday, 17 October 2024
There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career by stabbing Bragg, another "soldier", who has become more trouble than he’s worth. Read more... |
A Raisin in the Sun, Lyric Hammersmith review - of race and menSunday, 13 October 2024
Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also a cultural goldmine. So powerful is its depiction of the postwar African-American experience that it has inspired at least two other recent dramatic responses: Bruce Norris’s Clybourne Park (2010) and Kwame Kwei-Armah’s Beneatha’s Place (2013). Read more... |
The Lehman Trilogy, Gillian Lynne Theatre review - three brothers, two crashes, one American DreamFriday, 11 October 2024
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and industry of others. They’re the typess who might work as a subject for a cynical musical, but in a straight drama? Read more... |
Filumena, Theatre Royal Windsor review - Mozartian marriage comedy with pasta sauceFriday, 11 October 2024
Of all the ingenues in all the world of golden TV sitcom, Felicity Kendal was the most innocent, the most wicked, the most deceptive, with an amaretto voice that wheedled like a child and seduced like a witch. Read more... |
Brace Brace, Royal Court review - too slender to satisfyThursday, 10 October 2024
Air travel is bad for us. Yes, yes, I know we need planes to take us long distances, but look at the downside: not only the carbon footprint, but also the anxiety. I used to feel pretty relaxed about flying, then – one day on a short European flight – there was a spot of turbulence and I glimpsed the faces of the cabin crew. And they were certainly not relaxed. Read more... |
Gigi and Dar, Arcola Theatre review - a war-game of two halvesThursday, 10 October 2024
The writer-director Josh Azouz and actor-director Kathryn Hunter have collaborated on a piece exploring the ethics of being an army of occupation. Or, at least, I think that’s what Gigi and Dar is aiming for. Read more... |
The Other Place, National Theatre review - searing family tragedyWednesday, 09 October 2024
Contemporary reworkings of Greek tragedy run a very particular risk, that out of context the heightened actions of the original plays – the woefully poor judgement, the copious bloodletting, the rush to disproportionate vengeance and suicide – can seem like hapless histrionics and just a bit daft. Read more... |
Bellringers, Hampstead Theatre review - mordant comedy about the end of the worldWednesday, 09 October 2024
As hurricanes rip into the American Gulf states with increasing ferocity, Eastern Europe disappears underwater and even the gentle British rain becomes a deluge, the arrival of Daisy Hall’s debut play Bellringers at Hampstead Theatre’s Downstairs space couldn’t be more timely, Read more... |
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-runningWednesday, 09 October 2024
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely for Gallic-Gang Productions to resurrect Jean (La Cage aux Folles) Poiret’s farce Fefe de Broadway, adapted as French Toast. Read more... |
Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedyMonday, 07 October 2024
"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality in his part as written by O'Casey, but in Matthew Warchus's hands this is made an explicit element of the whole production, culminating in the unexpected finale. When the first scene opens, swags of red stage curtains rise and remain looped in place throughout, framing the action. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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