Theatre Reviews
Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemenThursday, 28 March 2024
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet), a lad is shaving his head. He’s halfway to the skinhead look of the early Seventies, but he hasn’t quite nailed it – he's too young to know the detail. Read more... |
Faith Healer, Lyric Hammersmith review - Brian Friel's masterpiece works its magic againSaturday, 23 March 2024
Brian Friel’s Faith Healer isn’t noted for its laughs, but Rachel O’Riordan has found more than most directors do in this rich, masterly piece from 1979. Her approach pays dividends in all but one respect. Read more... |
Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transferFriday, 22 March 2024
The reviews of Tyrell Williams' debut play on its first and second outings at the Bush Theatre were universally enthusiastic, even ecstatic. Multiple awards followed, including a clean sweep of those for first-time or promising writers. So how does it look in the newest venue in the West End, in the round – or rather square? Read more... |
WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much elseThursday, 21 March 2024
In what feels like the beginning, or at least the Old Testament, there was Riverdance. Now, ready to flow through the world once the world knows it needs it, there’s a rainbow-coloured river of just about everything musical and choreographic that’s found its place in contemporary Ireland, performed with a pulsating energy as well as a poetry that stops you wondering too much about all the connections. Read more... |
Harry Clarke, Ambassadors Theatre review - an entertaining curioThursday, 14 March 2024
Is it just coincidence, or something about the post-Covid theatrical landscape, that one-person shows are becoming commonplace; don’t producers know that it’s OK to share a stage again? Read more... |
Uncle Vanya, Orange Tree Theatre review - Chekhov served up choiceMonday, 11 March 2024
"We all live here in peace and friendship," notes Telegin (David Ahmad), otherwise known as Waffles, early in Uncle Vanya, to which one is tempted to respond, "yeah, right." Read more... |
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Garrick Theatre review - exhilarating, moving show makes West End returnSaturday, 09 March 2024
When For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy first moved to the West End in 2023, it felt like a risky venture. It had started in the tiny New Diorama, and later packed out the Royal Royal Court, but was a transfer to Shaftesbury Avenue a crazy step too far? Read more... |
The Duchess of Malfi, Sam Wanamaker Playhouse review - the good end badly, but act bestTuesday, 05 March 2024
“All discord without this circumference,” the Duchess of Malfi tells the good man she’s just asked to be her husband, “is only to be pitied and not feared”. Perhaps the villains should be more feared and less pitied in the imbalanced casting of Rachel Bagshaw’s clear and yet still atmospheric new production of Webster’s supposed shocker. Read more... |
Standing at the Sky's Edge, Gillian Lynne Theatre review - heartwarming Sheffield musical arrives in the West EndFriday, 01 March 2024
Can there be anyone from Sheffield who has not seen Standing at the Sky’s Edge, possibly several times? Read more... |
Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling stagingFriday, 01 March 2024
Transgression was so deliciously enticing. Back in the Eighties when I saw Les Liaisons Dangereuses in the West End on three occasions, life was simpler – or so us straight white men flattered ourselves to believe. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
'We are bowled over!' Thank you for your messages...
