Theatre Reviews
The 39 Steps, Trafalgar Theatre review - return of an entertaining panto for grown-upsThursday, 22 August 2024
Before the Plays That Went Wrong and the multi-role six-hander Operation Mincemeat, there was Patrick Barlow’s adaptation of The 39 Steps: four actors on a collision course with feasibility. Read more... |
Edinburgh Fringe 2024 reviews: REVENGE: After the Levoyah / Puddles and AmazonsThursday, 22 August 2024
REVENGE: After the Levoyah, Summerhall ★★★★★ Read more... |
Edinburgh Fringe 2024 reviews: Òran / This TownWednesday, 21 August 2024
Òran, Pleasance Courtyard ★★★★ Read more... |
The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent productionWednesday, 21 August 2024
On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side of the fourth wall, I can tell you that there’s plenty of crackling expectation and a touch of fear in the stalls, too. None more so than when the show is billed as a new musical. Read more... |
Edinburgh Fringe 2024 reviews: Ni Mi Madre / Bi-Curious George: Queer PlanetTuesday, 20 August 2024
Ni Mi Madre, Pleasance Dome ★★★★ Read more... |
Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale forceMonday, 19 August 2024
More surely than any other London stage, the Globe has opened up our theatrical perspective on different languages. Its triumphant “Globe to Globe” 2012 season presented the Shakespeare canon in 37 different linguistic interpretations. Read more... |
Edinburgh Fringe 2024 reviews: Bellringers / Suitcase ShowMonday, 19 August 2024
Bellringers, Roundabout @ Summerhall ★★★★ Read more... |
The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punchSaturday, 17 August 2024
Before a word is spoken, a pause held, we hear the seagulls squawking outside, see the (let’s say brown) walls that remind you of the H-Block protests of the 1980s, witness the pitifully small portions for breakfast. If you were in any doubt that we were anywhere other than submerged beneath the fag end of the post-war years of austerity, the clothes confirm it. And a thought surfaces and will jab throughout the two hours runtime: “How different are things today in, say, Clacton?” Read more... |
Peanut Butter & Blueberries, Kiln Theatre review - rom-com in a time of IslamophobiaFriday, 16 August 2024
At one point, in John Fowles’s 1977 novel The Magus, the guru character in the story compares sexuality before and after the 1960s. He says that although “young people can lend your bodies now, play with them, give them as we could not”, there is also a loss – “a world rich in mystery and delicate emotion”. Read more... |
Death of England: Michael / Death of England: Delroy, Soho Place review - thrilling portraits, brilliantly performed, of rebels without a causeThursday, 15 August 2024
Two boys in east London, one Black, one white, grow up together, play pranks at school, then decades later have a tempestuous falling out. That’s the main narrative arc of these twin plays, but it accounts for none of their extraordinary richness and the superlative acting they entail. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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