Theatre Reviews
The Father and the Assassin, National Theatre review - Gandhi's killer given an outstanding star turnSaturday, 16 September 2023
From the moment that the blood-stained Nathuram Godse rises out of the floor of the National Theatre's Olivier stage and demands ‘What are you staring at? Read more... |
That Face, Orange Tree Theatre review - in-yer-face family dramaFriday, 15 September 2023
Playwright Polly Stenham MBE had a meteoric rise with this play, her award-winning 2007 debut which she wrote aged 19 and whose original Royal Court cast featured Lyndsay Duncan and Matt Smith, and earned a much-lauded West End transfer. Read more... |
Infamous, Jermyn Street Theatre review - Lady Hamilton challenges the patriarchy and losesThursday, 14 September 2023
Towards the end of the 18th century, Lady Emma Hamilton (like so much in this woman's life, hers was a title achieved as much as bestowed) was the “It Girl” of European society. Read more... |
Private Lives, Ambassador's Theatre review - classy revival lacking physical excessThursday, 14 September 2023
There is a grainy piece of black and white film on YouTube featuring Noel Coward as the celebrity guest on a 1964 edition of the popular television panel show, What's My Line. He signs in with panache, paying careful attention to the diaeresis over the e in Noel and enveloping his first name with a stylish C from the second. Read more... |
God of Carnage, Lyric Hammersmith review - a dark piece is lightened with slapstickSaturday, 09 September 2023
Yasmin Reza’s God of Carnage (2008), like her British megahit, 1994’s Art, is not strictly a comedy. The French dramatist likes to create gladiatorial spaces disguised as chic living-rooms, where the professional classes slug it out, chewing their way through all manner of pieties and prejudices to reach some kind of climactic end point. Read more... |
As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goesTuesday, 05 September 2023
To proclaim that you’re playing gender games with Shakespeare’s As You Like It seems a little like announcing that you have a bicycle with two wheels, or indeed that you’re doing something interesting with rhythms in Stravinsky’s Rite of Spring. Read more... |
Next to Normal, Donmar Warehouse review - terrific cast in a punchy musicalFriday, 01 September 2023
The journey from off-Broadway to central London has taken 15 years, but the multi-award-winning musical Next to Normal has finally made it. That time lag may lead to suspicions that its subject matter has become a tad outmoded, but this staging, directed by outgoing Donmar director Michael Longhurst, is fresh and affecting. Read more... |
The Odyssey: The Underworld, National Theatre review - community effort with real heart and a great stagingWednesday, 30 August 2023
One of the great wonders of Western literary history is one of the earliest, Homer’s The Odyssey, an epic poem with all the thrills and spills of an Indiana Jones outing, with added Olympians. The National’s version turned out not to be The Odyssey as we know it, though. Read more... |
Edinburgh Fringe 2023 reviews: CHOO CHOO! / Blood of the LambSaturday, 26 August 2023
CHOO CHOO! (Or... Have You Ever Thought About ****** **** *****? (Cos I Have)), Pleasance Dome ★★★★ Read more... |
A Mirror, Almeida Theatre review - unconvincing and contrivedFriday, 25 August 2023
This is a play about censorship in a totalitarian state – but, no, I’m not reviewing The Pillowman again. Instead, I’m watching A Mirror by Sam Holcroft, a playwright who – as her 2015 play Rules for Living amply illustrated – is interested in playful games with the idea of theatricality. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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